Since 1954, the Newport Jazz Festival has brought live music to seaside New England. This year, you can see it even if you can't be there: NPR Music returns to the Newport Jazz Festival for a live video webcast and recording on August 4-5, 2012.
Jazz bassist and bandleader Linda Oh says her new album, Initial Here, is an exploration of her heritage. She was born in Malaysia to Chinese parents, but as a toddler, she moved with her family to Australia.
Oh started taking piano lessons there when she was 4. Music was just a hobby back then, but once her uncle strapped a bass guitar around her neck, that's when she fell in love.
Oh cut her teeth playing bass in both jazz and rock bands all over her hometown of Perth in Western Australia.
Originally published on Tue September 18, 2012 5:27 pm
Credit Courtesy of the artist
With Supreme blogger Patrick Jarenwattananon on vacation, we asked jazz music directors from around public radio to highlight songs that have been in heavy rotation at their stations. Today's pick comes from Gary Walker, music director at WBGO in Newark, N.J.
At the Newport Jazz Festival, we're visiting the Quad and Harbor Stages, where the first rows of audience sit snug up to the performer. With her understated style, love of the lyric and freedom, Gretchen Parlato makes that closeness work. Everyone leans in and listens.
In a good jazz rhythm section, the players function independently and as one. Their parts and accents crisscross and reinforce each other, interlocking like West African drummers. Beyond that, the bass is a band's ground floor. When it changes up, the earth shifts under all the players' feet. From moment to moment, Linda Oh's bass prowls or gallops, takes giant downward leaps, or stands its ground.
The itinerant path of a touring musician is nothing new. Drummer Daniel Freedman has walked that walk with New York jazz groups, salsa units, forro bands and on international tours with Angelique Kidjo. He has also taken the road less travelled – by bus.