If you ever listened to jazz vocalists and wondered if you could ever in your life scat like them, there's someone who's willing to teach you. The vocalist Rhiannon has long held the importance of improvisation as a personal credo, and in her career has blended that art form with jazz, world music and storytelling.
Hank Williams was a great singer-songwriter who forged his own brand of honky-tonk music from a variety of influences: country, folk, blues, gospel and jazz. Yes, jazz.
If you haven't listened to his music in a while you might not recall — Williams had swing. And even if some jazz listeners have forgotten that fact, many jazz players haven't. Here then are five jazz artists out of many who have taken Williams' music and put their own spins on it.
Marian McPartland recalls meeting singer Melissa Walker for the first time in the "powder room" at Birdland. McPartland was immediately taken with the young singer's glowing personality — and she probably heard hints of Walker's warm and rich vocals in the few words they exchanged that night.
"She's got such a wonderful voice," recalls McPartland. "The tunes she did aren't heard too often, they were very well done though. I enjoyed that session."
Saxophonist Jan Garbarek was a teenage protege of American composer George Russell in Norway in the 1960s and later played in Keith Jarrett's Scandinavian quartet. More recently, he has collaborated with the vocal quartet the Hilliard Ensemble, improvising as they sing medieval music.
Oscar Emanuel Peterson was born on August 15, 1925 in Montreal, Quebec, Canada. Join Milton Shirdan on Jazz at Nite this Wednesday evening during the 9:00 hour for a musical salute to Oscar Peterson on his birthday.
Von Freeman, a tenor saxophonist who was iconic within Chicago's music scene and to jazz conoisseurs worldwide, died Saturday at the Kindred Chicago Lakeshore care center. He was 88 and had been in declining health for more than a year.
Originally published on Tue September 18, 2012 5:13 pm
Credit Courtesy of Marsalis Music.
Saxophonist Branford Marsalis, oldest son of New Orleans pianist and educator Ellis Marsalis, released an album with his quartet this week. He spoke to weekends on All Things Considered host Guy Raz about the failings of modern jazz, his hopes for the next generation and leaving New York City to move back to the South.
More than half a century ago this week, on Aug. 12, 1958, some of the greatest jazz musicians of the day assembled in Harlem at what was, for them, the ungodly hour of 10 a.m. Fifty-seven players came to East 126th Street to have their picture taken for Esquire magazine.
On the drive from his home in Charlottesville, Va., to the Manhattan studios of Piano Jazz, pianist Hod O'Brien was inspired to compose an original tune in honor of the occasion. By the time he'd arrived, he'd worked out a swinging little ditty in his head, so he kicked off this session with a tune he called "Clarion for Marian."
"His playing was wonderful," recalls host Marian McPartland. "And I really enjoyed playing on Charlie Parker ['Now's The Time'] with Hod. I thought it came off very well."
Originally published on Thu August 9, 2012 4:10 pm
By Becca Pulliam
The Litchfield Jazz Festival leads off with a weeks-long camp for high-school students and New York's finest musicians on the faculty, then climaxes with a two-day festival. This year it's August 11-12 in Goshen, Conn., but here we have two sets from the 2010 festival, featuring two groups with young leaders.