Originally published on Thu February 5, 2015 1:13 am
Blue Note Records made its name on names: Sonny Clark, Lee Morgan, Hank Mobley, Grant Green, Paul Chambers, Tony Williams, and many more who have etched their marks on jazz history. For its 75th anniversary, the label gathered together a new crop of artists — those pushing the label forward now — and sent them on tour together, performing each others' compositions.
In the 1970s, when Diana Krall was growing up, children and young adolescents regularly encountered very adult music on Top 40 radio. These songs were different from the sexually explicit playground rhymes so common in mainstream music today.
Originally published on Fri January 30, 2015 5:09 pm
In 1984, when a young Steven Bernstein first encountered the blind virtuoso New Orleans pianist and singer Henry Butler, he was astonished. "This is it," he recalls thinking. "This is like the music that I always imagined. Everything you ever loved about music, all being in one place. But now it's all coming from one person." Nearly two decades later, Butler and Bernstein finally had the chance to collaborate when they were booked for a run together at New York's Jazz Standard.
For decades, David Murray was known as one of New York's most monstrously talented and astoundingly prolific artists — a tenor saxophonist who played and wrote for just about every imaginable context. He's still these things, but he lives in Europe now. So this year's Winter Jazzfest — already jam-packed with over 100 acts in two nights — saw fit to give New York audiences a proper saturation of what they'd been missing, presenting David Murray in three completely different sets.
Grammy Award-winning singer and songwriter Melissa Manchester performed with Bette Midler as "Toots in the Middle" in the original group The Harlettes. Manchester co-wrote and produced a number of hits through the '70s and '80s, and her songs have been recorded by such artists as Barbra Streisand, Alison Krauss and Johnny Mathis.
Blue Note Records celebrated its 75th anniversary last year, marking three-quarters of a century issuing music by the biggest names in jazz history. The company continues to aspire to that standard, with a contemporary roster ever on the lookout for today's movers and shakers. The supergroup Our Point Of View — the name references a 1963 Herbie Hancock album — combines six of those Blue Note artists for a program of originals and classics heard on Blue Note Records alike.
Originally published on Thu January 22, 2015 6:38 pm
Like many a jazz label throughout history, Prestige Records was a small, independent company which happened to document greats: musicians like Miles Davis, John Coltrane, Sonny Rollins and Thelonious Monk, among others. Last year marked its 65th anniversary.
Henry Butler comes from a line of New Orleans piano geniuses, virtuosi who command any style under the syncopated sun. Steven Bernstein comes from a career of collaboration, blowing a slide trumpet all over downtown New York and writing arrangements for just about any medium and context. Both share a love for Jelly Roll Morton and Bessie Smith — Butler grew up in New Orleans, and Bernstein leads the pre-war Millennial Territory Orchestra — and for injecting personal, modern twists into anything they do. And when they met on stage recently, they knew they had to collaborate deeper.