Jazz

Logan Richardson's latest project, Blues People, is a condition, a state of being. The album was derived from the early slave calls that inspired the earliest American jazz and blues musical traditions. Here at the Tiny Desk, the saxophonist revisits that history with four remarkable songs from the album, all performed with a hope that our country's future will be less painful than its past.

Willie Pickens On Piano Jazz

Apr 20, 2018

Piano Jazz remembers Willie Pickens (April 18, 1931 – Dec. 12, 2017), who passed away at the age of 86. A master of digital speed and harmonic sophistication, the Chicago pianist was McPartland's guest for this 1997 program.

Recorded live at the Manchester Craftsmen's Guild in Pittsburgh, the set kicks off with an improvised boogie-woogie that shows why Pickens' contemporaries revered him as "one of the foremost piano players in jazz."

Orquesta Akokán takes its name from the Yoruba word meaning "from the heart." The group's self-titled debut album, released in March, draws deep from the soul and history of Cuba, reviving the spirit of the big-band orquestas of decades past like Buena Vista Social Club and Orquesta Aragón.

Cleo Brown On Piano Jazz

Apr 13, 2018

Pianist and vocalist Cleo Brown (1909 – 1995) was one of the early innovators of the boogie-woogie style and the first female instrumentalist to be named an NEA Jazz Master. She retired from performing in the 1950s and focused her attention on religious music, bringing her gifted voice and strong left hand to gospel tunes.

The following text was originally published alongside the live web stream of the 2018 NEA Jazz Masters, which took place on April 16. A recording of the event can now be viewed by clicking on the video above.

Nicholas Payton On Piano Jazz

Apr 6, 2018

Trumpeter Nicholas Payton has been hailed as one of the greatest musicians of his generation. A native of New Orleans, Payton learned the art of improvisation from Wynton Marsalis and as a teen performed with the late trumpet master Clark Terry.

Cecil Taylor, whose stunning and bravely unorthodox piano language made him one of the most important postwar American avant-gardists in any artistic medium, leaves more than a legacy of musical provocation after his death yesterday evening.

Cecil Taylor encompasses a never-ending range of sound and emotion. On his way to the Piano Jazz studio in 1994, the avant-garde jazz pianist and his cab driver discovered that they went to the same high school, opening up a whirlwind of small worlds, and inspiring the improvised piece that opens this episode.

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