Jazz

To mark the end of Black History Month, it is only fitting to feature a song by an ultramodern band called Harriet Tubman, named after the celebrated abolitionist and activist who led hundreds of slaves to freedom via the Underground Railroad. Tubman's birth name, Araminta, provides a suitable title for the band's latest album, which dropped Friday.

Buried somewhere in the fathoms of YouTube is a recent clip of the Preservation Hall Jazz Band, apparently filmed with a smartphone in Santiago de Cuba. The band, synonymous with the ebullient spirit of New Orleans, is playing a staple of its book, Professor Longhair's "Go to the Mardi Gras." What's notable about this version of the song, from December of 2015, is the punchy assist provided by some Cuban percussionists, who fall right into step with its second-line groove.

Larry Coryell, the jazz guitarist known as the "Godfather of Fusion," died Sunday night at a hotel in New York City, according to his publicist. He was 73.

Coryell was still performing more than 50 years after his first recordings. He played at New York jazz club Iridium on Friday and Saturday nights, and had plans for a summer tour with his fusion group The Eleventh House.

Trudy Pitts On Piano Jazz

Feb 17, 2017

Organist, arranger, composer, teacher and singer Trudy Pitts (1932 – 2010) earned a reputation not only for her technical prowess, but also for her ability to convey a wide range of emotions through her playing. Her formal training was classical: She studied piano at Juilliard and Temple University, but came to jazz by way of the organ.

Updated at 3 p.m. ET

Al Jarreau, a versatile vocalist who defied categorization for decades, died Sunday morning at the age of 76. Earlier this week, Jarreau had been hospitalized in Los Angeles "due to exhaustion," according to his official Facebook page.

Keith Ingham On Piano Jazz

Feb 10, 2017

The British-born pianist Keith Ingham began his jazz career in London after studying Mandarin at Oxford University. In the late '70s, he moved to New York, which led him to connect with the likes of Peggy Lee, Benny Goodman and Susannah McCorkle, for whom he was pianist and musical director.

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