When Miles Davis returned to performing in the early 1980s, he asked his former bandmate and master composer, Wayne Shorter, to write something for him. What came out was a large ensemble work too unwieldy for Davis, and Shorter put it back on his shelf. "I asked him for a tune, and he gives me a [expletive deleted] symphony," Davis reportedly said at the time.
Originally published on Fri November 7, 2014 8:26 pm
Blue Note Records turns 75 this year, and to celebrate, Washington, D.C.'s John F. Kennedy Center for the Performing Arts hosted a concert featuring some of the record label's living legends and rising stars. From the early years with co-founder Alfred Lion to the revitalization under Bruce Lundvall, Blue Note Records has become and remained one of the most iconic brands in jazz.
Jazz vocalist Charenee Wade began singing at 12 and learned from jazz luminaries such as Carmen Lundy and Christian McBride. Her clear voice and impressive technique landed her first runner-up in the 2010 Thelonious Monk competition, and she followed this success with her debut album, Love Walked In.
In this 1999 episode of Piano Jazz, recorded live at the Museum of Television and Radio in New York City, host Marian McPartland welcomes in vocalist Cassandra Wilson for an hour of jazz standards.
Wilson is known for the enormous range of emotion in her performances. She delights with an array of tunes, joining McPartland and bassist Peter Washington for "Surrey With The Fringe On Top" and "Old Devil Moon."
Originally published on Thu October 30, 2014 3:22 pm
The late pianist Dave Brubeck left jazz with incredible performances, recordings and advocacy — as well as a large body of compositions. His iconic music is reimagined by members of the Jazz at Lincoln Center Orchestra.
Jazz Night in America explores various Brubeck compositions, discussing the decisions the arrangers made when approaching the material. Also, we unearth a rare recording from Brubeck's personal archive of him singing with Carmen McRae.
Originally published on Thu October 30, 2014 6:59 pm
In the late 1960s, when trumpeter Miles Davis was leading his famous second quintet, saxophonist Wayne Shorter wrote a series of new works featuring Davis with orchestra. When the quintet broke up, Shorter put the scores away.
Originally published on Thu October 16, 2014 8:31 am
By Patrick Jarenwattananon
Every year for the last decade and a half, select groups of hot swing musicians have come from Europe to tour the U.S. The exact lineups change, but they all feature masters of the "gypsy jazz" — or jazz manouche — style pioneered by guitarist Django Reinhardt. In fact, they're billed under the banner of New York's Django Reinhardt Festival.