Jazz

A Blog Supreme was a jazz thing published by NPR Music from May 2009 through September 2016. It presented news, features, aggregated content, historical primers, opinion and analysis, recommendations and other types of music journalism. It was twice named the Jazz Journalists Association Blog of the Year.

Lee Musiker On Piano Jazz

Sep 30, 2016

Grammy- and Emmy-winning conductor, pianist, composer and arranger Lee Musiker has long worked with leading jazz, classical, pop and Broadway performers. He conducted the Chicago Symphony Orchestra and the National Orchestra in the U.S. and Canada. His work can also be heard on the soundtracks of major Hollywood films.

Musiker brings a wealth of knowledge to this 2005 episode of Piano Jazz, on which he performs "Fascinating Rhythm" with host Marian McPartland.

Norah Jones returns to the piano for many of the songs on her new album, Day Breaks, which hearkens back to her blockbuster debut, Come Away With Me. She recruited an assortment of Blue Note jazz greats for the album, on which she delves into some of the issues of the day — particularly in "Flipside."

SET LIST

  • "Flipside"

Many jazz pianists play tunes from the Great American Songbook, that beloved canon of standards from the early 20th century. But pianist Edward Simon has chosen to focus on another great collection of American standards for his newest album, Latin American Songbook.

Growing up in Venezuela, near the northern edge of South America, was an advantage for Simon. His early listening encompassed music from the north — Cuba and Puerto Rico — and also extended southward to the music of Chile, Brazil and Argentina.

Leonard Feather On Piano Jazz

Sep 16, 2016

Leonard Feather (1914–1994) was hailed as the "Dean of Jazz Journalists." He critiqued artists for Downbeat, Melody Maker, Wire and his own weekly syndicated column in the Los Angeles Times. He authored works including The Jazz Years: Earwitness To An Era and The Encyclopedia Of Jazz.

Robert Glasper is always making music. Solo or with his quartet, the Robert Glasper Experiment, he's released 9 albums and collaborated with everyone from Herbie Hancock to Kendrick Lamar, investigating the sounds and rhythms of jazz and hip-hop in equal measure,

Oliver Jones On Piano Jazz

Sep 9, 2016

Oliver Jones is one of Canada's premier pianists and a winner of the prestigious Oscar Peterson Award. As a child, he took lessons with Daisy Peterson Sweeney, Oscar Peterson's sister. With a long career as a performer, composer and educator, Jones is an important player in the international jazz piano scene.

Nels Cline is unabashed about his love for sound. "I get a kind of fundamental, if not moronic, pleasure from sound as soon as it starts," he tells Fresh Air's Terry Gross. "Even in sound checks, once we start playing, I'm in the zone. I'm happy, because I like playing."

Walter Davis Jr. On Piano Jazz

Sep 2, 2016

Pianist Walter Davis Jr. (1932–1990) spent more than four decades contributing to the development of jazz history. He worked with a wide variety of talent, including Dizzy Gillespie, Donald Byrd and Art Blakey and the Jazz Messengers.

Sometimes in jazz, a melody is an excuse. It gets played once at the start and again at the end, becoming a suggestive frame upon which to improvise; sometimes it might as well be dispensed with entirely. That can be liberating and dazzling and creatively rich. But sometimes a melody deserves much more. Sometimes it is more essential; even if its mass feels relatively light, its gravity remains immense. Sometimes it demands a whole song to express itself.

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