In this session, World Cafe welcomes back the Austin blues-funk band Black Joe Lewis, which recently released a new album called Electric Slave. It's a different animal than the group's first two albums, 2009's Tell 'Em What Your Name Is and 2011's Scandalous: It's fiercer, it's more rock-driven, and it moves away from the soul-revival sound of the earlier discs.
The modest, cream-colored '50s-era chapel that's home to St. Peter the Apostle Catholic Church in Houston looks like many other places of worship you might find in urban America. The first clue to a unique tradition here pulls up Sunday afternoon.
Most people think of the steel guitar as an instrument associated with country music — from country rock and pop to alt-country. But there's another style of steel playing that dates back to African-American Pentecostal churches of the 1930s, when a handful of congregations began using steel guitars in place of organs.
Originally published on Thu January 2, 2014 3:47 pm
Two of the best roots rock musicians of their generation make an appearance on a special episode of World Cafe, which is hosted in NPR's Studio A at the organization's headquarters in Washington, D.C. Singer Susan Tedeschi and her husband, guitarist Derek Trucks, joined forces in 2010 and formed the Tedeschi Trucks Band.
Short of seeing her live and in person, this is the best way to encounter Valerie June's heartfelt sound. Her new album Pushin' Against a Stone is terrific, but when I first heard that voice unadorned, I was hooked. The same may happen to you.
Blues and R&B musician Shuggie Otis is back with a new album for the first time in almost 40 years. For the reclusive Otis, the release of Wings of Love is major news. Its release is paired with his 1974 masterpiece Inspiration Information, which drew attention to Otis when it was first reissued by the Luaka Bop label in 2001.
Some say the purpose of church is to deliver the word of God. If so, what's the role of music in the service?
"The music has always been a part of God's way of getting people's attention," says Bishop Calvin Worthem, pastor at the Church of the Living God in Toccopola, Miss. "Sometimes he speaks through the thunder, the lightning, and sometimes he speaks in the music."
Sam Phillips is famous for saying that if he could find a white boy with the authentic Negro sound and feel, he'd make a billion dollars. Seeing Phillips in his striped sport coat and tie in 1950, you might well wonder if he'd know that sound and feel if it came up and bit him. But he'd been a fan of blues and country music since childhood, and he bet that his technical knowledge and feeling for this music could make him money.
Originally published on Thu September 26, 2013 2:30 pm
Harmonica master James Cotton is a giant of the blues. Born in 1935 on a cotton plantation in Tunica, Miss., he learned the instrument from Sonny Boy Williamson, who had a radio program right across the river in West Helena, Ark. After listening to the show and imitating him on a harmonica, Cotton met Williamson, who took him under his wing.
At 15, Cotton met and played with Howlin' Wolf, who took him to record at Sun Studios in Memphis. Later, while on tour, Muddy Waters asked Cotton to replace Junior Wells in his band; Cotton stayed on the road with Waters for a dozen years.