Originally published on Sat August 25, 2012 2:15 pm
There is a sad, angsty, misunderstood teenager in all of us. Some of us are just better at letting it show.
So no matter how far past your teenage years you may be, Amy Anderson's portraits of at-risk teens in Minnesota may take you back to that time in your life when you wished the world could see you differently.
"I'm trying to show these kids in a way that most people don't see teenagers at all," she said. "So many teenagers feel disconnected and don't see the potential, beauty and value in themselves."
Between mass tourism and the Internet, it's never been easier to learn about other cultures. Yet we often stay on the surface. Watching the Olympics opening ceremony a few weeks ago, I was struck by how much of what was presented as quintessential Britishness came from pop culture — James Bond and Mary Poppins and the chorus to "Hey Jude." Although Britain had a global empire not that long ago, the show's director, Danny Boyle, grasped that the world's image of his green and pleasant land now largely derives from movies and songs.
On this week's show, it's time to talk about the supporting characters who are getting their own stories — just like Judd Apatow is doing for Paul Rudd and Leslie Mann's characters in This Is 40. If you can't get behind Glen's spin-off idea from the world's most studly franchise, then I just don't know what to say to you, because frankly, it's brilliant.
This interview was originally broadcast on May 31, 2011. David Eagleman's Incognito is now out in paperback.
Your brain doesn't like to keep secrets. Studies at the University of Texas, Austin, have shown that writing down secrets in a journal or telling a doctor your secrets actually decreases the level of stress hormones in your body. Keeping a secret, meanwhile, does the opposite.
The narrator of Maria Semple's newest book, Where'd You Go, Bernadette, is 15-year-old Bee Fox. She's a nice kid, a good musician and a great student. In fact, she's such a great student that her parents have promised her anything she wants — and she chooses a family trip to Antarctica.
A character we've yet to meet flies through the air in slow motion, above a busy New York street, arms and legs splayed. He's wearing a bike helmet, which is a good thing — because as The Who's "Baba O'Riley" pulses in the background and numbers come up on the screen telling us it's 6:33 p.m., he lands with a thud on the pavement.
For a second or two, he lies there staring — at a car careering toward him, a woman mouthing his name, a bike that lies crumpled at his side. You might want to take those moments to catch your breath. You won't be offered many other chances.
It's summer in France, time for stressed urbanites to head to the beach and forget their problems. For the circle of friends featured in Little White Lies, however, this year's problems are a little more memorable than most.
Originally published on Thu August 23, 2012 8:31 pm
The backbone of a good comedy is always, supposedly, the script. But in the case of Dax Shepard and David Palmer's marvelous road-trip comedy Hit and Run, maybe not. The key to the picture isn't so much the what as the how: Instead of handing over every joke right on the beat, Hit and Run lures you in with its jackalope rhythms. There's nothing else like it on the current landscape.