To speak with Ryan Murphy about his show American Horror Story is to hear this declaration repeatedly: "She classes up the joint."
Murphy is referring to his star, Jessica Lange, who recently won an Emmy for her role in the show's first season. If you've been a fan of Lange's film career, from Tootsie to Frances to Blue Sky, you might wonder why this treasure of the American theater, this two-time Oscar winner, is slumming in a lurid cable TV horror show.
Long before singer and pianist Michael Feinstein became famous in his own right, he had the privilege of working closely with legendary songwriter Ira Gershwin, as his archivist and cataloger. In his new book, The Gershwins and Me: A Personal History in Twelve Songs, Feinstein writes firsthand about the musical world of the American composers and brothers, George and Ira Gershwin.
Brooklyn Castle, which I originally saw at the South By Southwest Film Festival in March, is one of my favorite movies of the year. And starting this week, it's coming to theaters in select cities. (See a list of theaters here.)
I'm sure Jennifer Lopez knows exactly how much wind is flattering, far more than I do. I'm sure she has a Flattering Wind consultant, and possibly even a Flattering Wind Consultant Handler. ("Assistant To The Flattering Wind Consultant Handler: Coco Maribou. Assistant to Ms. Maribou...")
But honestly, I might have gone with 20 percent less gale force here.
Originally published on Wed October 17, 2012 12:53 pm
Everywhere you go, you are data. You purchase an apple and suddenly ones and zeros are racing through the clickstream like they're wearing superhero capes. Someone, somewhere now knows more about when people eat apples, the likelihood that you will purchase one again, how they correlate to your longevity, your salary, your risk of disease. You shape the universe as you go.
What happens to underground artists after they step, blinking, into the harsh, flat light of the upper world? If they are Robert and Aline Crumb, not a whole hell of a lot — at least, not in their approach to their art. As amply demonstrated in Drawn Together, which collects comics the two cartoonists have created together since the late '70s, their specific subjects may change, but how they go about depicting those subjects — their shared impulse for autobiographical, self-deprecating logorrhea — remains constant.
Dellarobia Turnbow, the smart-mouthed heroine of Barbara Kingsolver'sFlight Behavior, is frustrated by her marriage to Cub, the boy who got her pregnant in high school, and by the grinding privation of life on her in-laws' failing farm. Kingsolver mixes a story of personal awakening with themes of environmental stewardship and climate change as a freak natural phenomenon begins to transform Dellarobia's life. This exclusive excerpt exhibits one of the book's pleasures — Kingsolver's closely observed depictions of rural life — as it introduces the main characters.
It was, in the words of one specialist in recovering stolen art, a hell of a haul. The haul being the theft of seven paintings from a museum in the Netherlands, among them were works by such masters as Picasso, Monet, Matisse and Gauguin. Thieves defeated a sophisticated alarm system, lifted the canvases from the walls, and disappeared into the darkness, overnight Tuesday. It's being described as one of the biggest and most daring art heists in modern history.
From the first five minutes of Vegas, there's no mistaking its classic Western heritage — they even have Stetson-wearing heroes wrangling a herd of cattle on horseback.
The year is 1960, and nail-tough rancher Ralph Lamb has been talked into serving as the top cop in Las Vegas. Lamb's only problem: He's taking over just as the mob is trying to turn Vegas from a sleepy ranch town into the world's grown-up playground.
In Vegas, the white hats just want to run their ranches, while the black hats fight over money, gambling and power.