In The Time Traveler's Wife, Audrey Niffenegger married her gently wry sensibility to a classic science-fiction conceit, and the result became a literary sensation — as much a tried-and-true staple of book-club culture as cheap malbec.
What do a forlorn Italian father, a costume-drama cad and a pair of Hollywood slapstick heroes have in common? They're all high on a list of must-see movies that David Chase, creator of The Sopranos and director of the 2012 film Not Fade Away, brought us for the occasional Morning Edition series "Watch This."
What unifies them?
Saps At Sea
"When I was a kid, I used to watch Laurel and Hardy with my cousins all the time," Chase says. "I still think they're extremely funny and so surreal."
Studios are putting most of their eggs in $100 million baskets these days, even as American independent filmmakers go hungry from lack of mainstream attention. But two of my favorite American indie writer-directors, Jeff Nichols and Ramin Bahrani, have new films with bigger stars than they've had before — films they hope will break through to wider audiences. The results, at least artistically, are impressive.
There is another story now that speaks to the way the world is interconnected in ways we sometimes don't think much about. We want to talk now about that horrific building collapse in Bangladesh that's resulted in the death of at least 400 people so far, and many more are still missing.
How else to explain someone who meticulously dismantles, then painstakingly rearranges hundreds of tiny parts of machinery. And that's before he throws everything into the air.
The Toronto-based commercial photographer was the kind of kid who always took things apart, including an entire 1985 Hyundai Pony in secondary school. He said that if an object interested him, it would soon be in pieces.
"I've always had a technical grounding trying to figure out how things work," he said in a phone interview.
This Saturday, May 4th, is Free Comic Book Day, the comics industry's annual attempt to sail out past the shallow, overfished shoals where Nerds Like Me lazily and inexpertly spawn, to instead cast their line into the colder, deeper waters where Normals Like You swim free, blissfully unconcerned about the myriad nettlesome continuity issues surrounding Supergirl's underpants.
In the early days of New Girl, Jess Day (Zooey Deschanel) was a toddler-sized tutu made flesh: cute, affected, hard to actually dislike, but earning grins largely by doggedly evoking childhood's clumsy and doomed attempts at grace.