The year I discovered lentils, I was broke and lonely and didn't know how to cook. Lentils, it turned out, would have gone a long way toward providing the solution to some of these problems. However, when I first had them, they were a mystery.
They also were the cheapest thing on the menu at the Middle Eastern deli around the corner. The dish was mudardara, I was told. "What's that again?" I said, unable to untangle the knot of plosive consonants. It was repeated.
There's been a tug of war between aesthetically pleasing and safe when it comes to American embassies around the world.
Many embassies have been slammed as bunkers, bland cubes and lifeless compounds. Even the new Secretary of State John Kerry said just a few years ago, "We are building some of the ugliest embassies I've ever seen."
Gretta Harley arrived in Seattle in 1990, when grunge was redefining the city. Bands like Nirvana, Pearl Jam and Soundgarden were turning Seattle into the epicenter of the music world. Harley was a punk rock guitarist searching for her tribe, and in Seattle's thriving music scene, she found it.
Has there ever been an age that was so grudging about suspending its disbelief? The groundlings at the Globe Theatre didn't giggle when Shakespeare had a clock chime in Julius Caesar. The Victorians didn't take Dickens to task for having the characters in ATale of Two Cities ride the Dover mail coach 10 years before it was established. But Shakespeare and Dickens weren't writing in the age of the Internet, when every historical detail is scrutinized for chronological correctness, and when no "Gotcha!" remains unposted for long.
Originally published on Tue February 26, 2013 7:37 pm
Bill Westenhofer, winner of best visual effects for <em>Life of Pi</em>, said backstage that the business model of the visual effects industry needs to change.
Credit Vince Bucci / AP
In a business where effects-laden movies helped Hollywood make a record-setting $10.8 billion last year, many of the studios that create those effects are barely staying afloat.
Visual effects have been a part of the movie industry ever since Georges Melies went on his famous Trip to the Moon in 1902. These days, VFX studios do everything from putting a tiger in a lifeboat on an ocean voyage to choreographing the destruction of a New York City being defended by Earth's mightiest heroes.
It was no less than the master of dystopian fiction, George Orwell, who noted in a 1946 essay that "political language has to consist largely of euphemism. ... Defenseless villages are bombarded from the air ...
Originally published on Mon March 11, 2013 2:22 pm
Two Fish McBites, which are not the Chicken of the Sea.
The McDonald's menu is a sacred document, like the Constitution. You can't just add things willy-nilly. It took hard work and sacrifice to add the Fourth Amendment, the McRib, and the Twenty-third Amendment, the Snack Wrap. Now, a new item called Fish McBites seeks ratification.
Miles: Fish McBites — for the bottom feeder in all of us.
Ian: I can't wait to wash this down with McDonald's new Chumrock Shake.
The remarkable story of gangster Whitey Bulger begins in the housing projects of South Boston and ends with his capture by the FBI in 2011 after his 16 years on the lam. By then, Bulger was wanted for 19 murders, extortion and loan sharking for leading a criminal enterprise in Boston from the 1970s until 1995. During much of that time he was also an informant and being protected by the FBI.