You're listening to ASK ME ANOTHER from NPR and WNYC. I'm Ophira Eisenberg. Coming up, we'll reminisce about the songs of summer, and we'll take a cinematic tour of New York City. Plus we'll put director David Wain and actor B.J. Novak up to another ASK ME ANOTHER challenge. But first, joining us onstage right now are Allison Kelsey and Sam Denehy.
EISENBERG: Allison, you are joining us from Philadelphia.
With New York Times crossword puzzle editor Will Shortz as our V.I.P. Puzzle Guru, we knew he'd come up with a doozy of a final round. In this game, recorded at Central Park's SummerStage, contestants are given two five-letter words, and asked to anagram one word to get a synonym of the second. And when the final two standing turn out to be Studio 360 host Kurt Andersen and Wet Hot American Summer filmmaker David Wain, the competition gets even more heated.
Kurt Andersen has written for film, television and stage, was Time's architecture and design critic, co-founded Spy magazine, curated a Smithsonian exhibit, wrote four books (his third novel, True Believers, was published in the summer of 2012), and now hosts PRI's Studio 360, the Peabody Award-winning radio show on WNYC. In the words of Ask Me Another host Ophira Eisenberg, "How about declaring a major already?"
Can government be run like the Internet, permissionless and open? Coder and activist Jennifer Pahlka believes it can — and that apps, built quickly and cheaply, are a powerful new way to connect citizens to their governments — and their neighbors.
Originally published on Tue December 17, 2013 9:53 am
How do you channel mass chaos into order?
Credit Joos Mind / Getty Images
What motivates dozens, thousands, even millions of people to come together on the Internet and commit their time to a project for free? In this hour, TED speakers unravel ideas behind the mystery of mass collaborations that build a better world.
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Charlie Hunnam and Rinko Kikuchi are the human co-pilots who mind-meld to control the giant Jaegers — massive robots engineered to fight rampaging sea monsters — in <em>Pacific Rim</em>, a <em>kaiju</em>-film homage from director Guillermo del Toro.
Credit Kerry Hayes / Warner Brothers
The simple pleasures of watching Godzilla or Ultraman doing battle on Saturday afternoon television have proved difficult to re-create since their heyday in the '70s and '80s. Big-budget Hollywood attempts to replicate the experience tend to not just be failures, but disastrous, highly polished failures on an epic scale: Roland Emmerich's 1998 take on Godzilla, for instance, or Michael Bay's Transformers series.
<strong>Take It Or Leave It:</strong> The legalese you accept when you use Facebook or iTunes (or <a href="http://www.npr.org/about-npr/179876898/terms-of-use">NPR's digital platforms</a>) may have you agreeing to some surprising things. Cullen Hoback's documentary <em>Terms and Conditions May Apply</em> illustrates just how many — and just how much control we've obligingly signed away.
Credit Variance Films
I'm 45, single, substantially in debt and way too susceptible to jokes about redheads. And I'm telling you these things upfront because ... why not? It wouldn't be all that hard for you — or your Big Brother — to find out.
In July, NPR's Backseat Book Club traveled to Hanging Moss, Miss., where Gloriana June Hemphill, better known as Glory, is just an ordinary little girl. But this is no ordinary summer — it's 1964 and the town has shut down the so-called "community" swimming pool to avoid integration.
Chance encounters bring Viola (María Villar), Cecilia (Agustina Muñoz) and Ruth (Romina Paula) together in <em>Viola, </em>a lighthearted riff on Shakespeare from Argentine director Matias Piñeiro.
Credit Cinema Guild
Is it the summer of Shakespearean comedy? You might not guess it from the box-office grosses, but with the release of Joss Whedon's delightful Much Ado About Nothingand now Matias Piñeiro's wondrous Viola, the spirit, if not the strict content, of Shakespeare's less bloody-mindedplays is sneaking into theaters, offering an invaluable lesson to other films in how to be lighthearted without being empty-headed.