A child of the '60s and '70s, Guadalajara-born director Guillermo del Toro has been a fan of the Japanese kaiju film tradition since he was a kid. His latest movie, <em>Pacific Rim,</em> is his passion project and homage to the genre.
From the audience-pleasing Hellboy to the critically acclaimed Pan's Labyrinth, Guillermo del Toro's movies are chock-full of mystical, often terrifying creatures. Now the Mexico-born director has made a big-budget entry in the genre that helped define his fascination with the monstrous: the Japanese kaiju films of the '60s.
Jamie (Michael Cera) is a reflexively judgmental cynic whose drunken invitation locks him into a road trip with a stranger (Gaby Hoffmann), whose different take on life cracks his shell a little.
Sebastian Silva's 2009 film The Maid examined the physical and psychological demands of working as a nearly indentured live-in housekeeper, and the toll taken by more than 20 years in the same household.
Perhaps in part because Silva based the film on his childhood growing up in Santiago, Chile, the approach to a subject rife with issues of social class was more personal than overtly political.
BuzzFeed's Joseph Bernstein says that liking these books always, without exception, universally indicates a red flag. We take issue.
As is a pretty common happening on the internet now, there's a new BuzzFeed article going around. The headline is a random and arbitrary number followed by some nouns, and the article itself is a numbered list of pictures, animated GIFs, and perhaps as many as 100 words or so.
The one major change series creator Aaron Sorkin made to The Newsroom between seasons was a structural one. Instead of having each week's show focus on a separate major storyline, this year's edition of The Newsroom follows a single story over the course of the entire season. And it's a season-long plot line in which anchor Will McAvoy and the other employees of the fictional Atlantic Cable News network get one important news report very wrong.
Fresh off the ninth and final season of NBC's The Office, B.J. Novak is keeping busy. He is known both for his portrayal of the bratty temp Ryan Howard, as well as writing some of the show's most beloved episodes, such as "Diversity Day" and "The Fire." In his post-Office life, however, he's working on a book of "Woody Allen-esque" short stories and will appear in Saving Mr. Banks, the forthcoming Walt Disney biopic about the making of the film Mary Poppins.
David Wain is part of the comedy troupes The State and Stella, and directed the films Wanderlust, Role Models and the forthcoming They Came Together. But he is perhaps best known for creating one of the quintessential summer movies, Wet Hot American Summer, an absurdist chronicle of last-day shenanigans at a Jewish camp in the 1980s.
Can a rhythm and blues song change the world? That's the question at the heart of veteran author Mark Kurlansky's new book, Ready for a Brand New Beat, a chronicle of the spectacular success of Motown hit "Dancing in the Street."
No summer is complete without a picnic, just as no picnic is completed without a few little annoyances: sunburn, spilled wine or ants. Ants! (Shakes fist.) This game, led by house musician Jonathan Coulton, imagines some heightened picnic scenarios, all of which are clues to words that end with the letters "-ant."
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