Originally published on Mon April 29, 2013 9:52 am
By Camila Domonoske
Credit Andreas Rentz / Getty Images
April is National Poetry Month, and what better way to celebrate than with new poetry releases? Here are four of this month's highlights — a new translation, a "best of" collection, a "collected works" worth revisiting and a camera-eye view of the world.
The Divine Comedy
The season premiere of Mad Men opened with John Ciardi's 1954 translation of Dante's Inferno:
Midway in our life's journey, I went astray from the straight road and woke to find myself alone in a dark wood.
April is National Poetry Month. And throughout the month, WEEKEND EDITION is speaking with younger poets about the importance of poetry in daily life. This morning, we hear from translator and poet Kazim Ali.
Brendan, Cordelia and Eleanor Walker were suspicious from the first. They may be young — Cordelia is 15, Brendan is 12 and Eleanor is 8 — but they have enough worldly experience to know that when a real estate agent says a place is charming and rustic, she means that it's small and has wild bears in the backyard. So when the siblings first hear about the house at 28 Sea Cliff Avenue in San Francisco, they're skeptical. And their caution is quite warranted; the Kristoff House, as it's called, turns out to hold secrets, magic, skeleton pirates and a behemoth who looks like Mick Jagger.
Nominations for the Tony Awards, Broadway's annual honors, will be announced April 30. Among the shows eligible: loud London transplants like Matilda the Musical, a new play by David Mamet, a revival of David Mamet, two revivals of Clifford Odets and a revival of the '70s musical Pippin.
Lots of Hollywood stars have made the trek to Broadway this season, ranging from Scarlett Johansson in Cat on a Hot Tin Roof to Tom Hanks in Norah Ephron's last play, Lucky Guy.
When Edna O'Brien wrote The Country Girls in 1960, the book was acclaimed by critics, banned by the Irish Censorship Board and burned in churches for suggesting that the two small-town girls at the center of the book had romantic lives. Oh, why be obscure? Sex lives.
After World War II, America became a superpower. New York experienced a global rise; Los Angeles was sprawling. But in a new book, Thomas Dyja writes that "the most profound aspects of American Modernity grew up out of the flat, prairie land next to Lake Michigan" — Chicago.