Originally published on Fri October 12, 2012 12:53 pm
Credit C. Goldsmith and D. Rollin / CDC Public Health Image Library
This interview was originally broadcast on Oct. 11, 2011. The Viral Storm will be published in paperback on Oct. 16.
The New Yorker once called virologist Nathan Wolfe "the world's most prominent virus hunter." Wolfe, the director of the Global Viral Forecasting Initiative, spends his days tracking emerging infectious diseases before they turn into deadly pandemics.
Ben Affleck's new thriller, Argo, chronicles a secret CIA rescue mission — a mission that remained classified for years. When details finally came to light, the operation sounded like something only Hollywood could come up with. As we find out, there's a reason for that.
It's 1979, and the Iranian public's hatred for their U.S.-backed shah erupts when he leaves the country. A crowd grows around the U.S. Embassy in Tehran — they're climbing the gates and taking dozens of Americans hostage.
Beneath a bright blue, near-cloudless sky, a lone aluminum trailer sits amid the sagebrush, the flat amber earth and the forbidding heat of Death Valley. Oddly enough, the trailer's single inhabitant doesn't seem the hermit type: Frank (Charlie Hunnam) is young, well-dressed and extremely handsome, the kind of blond-haired and blue-eyed good-looking that usually comes with easy confidence and a modeling contract.
The original French title of The Big Picture — an adaptation of a novel by American expatriate writer Douglas Kennedy — means "the man who wanted to live his life." That's pointedly ironic, since this existential thriller is about a person who seeks personal freedom by becoming somebody else.
If you do the math, the number of true psychopaths in Seven Psychopaths may not quite add up. Perhaps writer-director Martin McDonagh didn't want to go overboard with the murderous crazies. As it is, he's peopled his whimsically brutal comic thriller with — to name just three — an Amish throat-slasher, a dynamite-packing Buddhist and a serial killer who's fond of white bunny rabbits. That's probably enough.
Simon and the Oaks, a handsomely upholstered Swedish drama about two troubled families trying to survive World War II, is based on a runaway best-selling novel by Marianne Fredriksson. The film was made with money from several Scandinavian countries once occupied by the Nazis, as well as from Germany itself. It won a truckload of Swedish Oscars, and in the accolades heaped upon the movie, the word "epic" is thrown around with abandon.
Originally published on Thu October 25, 2012 10:52 am
Credit St. Quay Films
Some might characterize what filmmaker Ross McElwee does as navel-gazing. But in the hands of this veteran documentarian, that which might be self-indulgent egomania from a lesser artist is often the stuff of quiet revelation.