Arts

For 30 years, Martha Stewart has been teaching people how to be classy, useful, attractive and elegant, with her books, TV shows, magazines and websites. Though we'd like her to declare Wait Wait one of her trademark "good things," we can't promise that's going to happen.

Today at All Things Considered, we continue a project we're calling NewsPoet. Each month, we bring in a poet to spend time in the newsroom — and at the end of the day, to compose a poem reflecting on the day's stories.

Daniel Day-Lewis has won two Academy Awards for fully immersing himself in his characters in There Will Be Blood and My Left Foot.

Now the British actor is taking on one of America's most iconic figures in Steven Spielberg's Lincoln, playing the 16th president during the final months of his life. Day-Lewis tells NPR's Melissa Block that it was a daunting prospect — but that ultimately Lincoln was a surprisingly accessible figure.

Interview Highlights

On playing such an iconic figure

The Shanghai Propaganda Poster Art Center lies buried in an unmarked apartment building off the tree-lined streets of the city's former French Concession. There are no signs. You have to wend your way through apartment blocks, down a staircase and into a basement to discover one of Shanghai's most obscure and remarkable museums.

This interview was originally broadcast on Nov. 1, 2011. Don't Shoot is now out in paperback.

In 1985, David M. Kennedy visited Nickerson Gardens, a public housing complex in south-central Los Angeles. It was the beginning of the crack epidemic, and Nickerson Gardens was located in what was then one of the most dangerous neighborhoods in America.

Two icons, Abraham Lincoln and James Bond, make triumphant appearances this week in movies with more in common than you'd expect. True, Lincoln is a titan of history, liberator of slaves, and as such an adversary of Western colonialism, while 007 is an outlandish stereotype embodying white male Western authoritarian power. But the makers of these films do a sterling job of testing their respective subjects in front of our eyes — before pronouncing them fit to carry on in our collective imagination.

As you may recall, last week's storm (big hugs to those of you still dealing with that mess) left us without a show, but we have returned this week with a fully stuffed episode in which we spend a little time on what we meant talk about last week: Cloud Atlas, which Stephen and I in particular did not want to have seen at almost 10:00 at night for nothing.

If you've only come across fairy tales courtesy of Walt Disney, or some other sweetened retelling, the dark culinary themes in the 19th-century versions told by the two German brothers, Jacob and Wilhelm Grimm, may come as a shock.

A new James Bond movie opens this week, 50 years after the first film, Dr. No.

The latest installment, Skyfall, finds Daniel Craig once again in 007's perfectly tailored suit. And this time, Bond is battling both the bad guys and his own mortality.

As the old saying goes, the apple doesn't fall far from the tree. In other words, the child takes after the parent; the son is a chip off the old block.

Of course, that's often not the case. Straight parents have gay children and vice versa; autistic children are born to parents who don't have autism; and transgender kids are born to parents who are perfectly comfortable with their gender.