In America, summer grilling generally means heading to the backyard and throwing some hot dogs, burgers and maybe vegetable skewers on the fire. But in India and Pakistan, where summers last for seven months, grilling takes on a whole new level of sophistication.
Mozart's The Magic Flute, the last opera he lived to complete, has some of his most sublime and sublimely comic music. Technically, it's more of a musical comedy, what in German is called a Singspiel, a play with songs and spoken dialogue. I was excited to learn that it was filmed by Kenneth Branagh, whose Shakespeare movies I really admire. Mozart's mixture of fairy tale and high morality presents a great opportunity for a filmmaker; in 1975, Ingmar Bergman released a version for Swedish television that has become a beloved classic.
Children's-book writer Maurice Sendak learned a lot from author and artist Tomi Ungerer. In Far Out Isn't Far Enough, a new documentary about Ungerer, Sendak says, "I learned to be braver than I was. I think that's why [Where The Wild Things Are] was partly Tomi — his energy, his spirit.
Since Sandwich Monday began, certain sandwiches have been our white whales: the Hippogriff Burger, a Reuben signed by J.D. Salinger, an Actual White Whale sandwich. Also, the mysterious St.Paul sandwich, native to St. Louis: It's an egg foo young patty, with lettuce, pickle and mayo, on white bread. But we finally caught one.
Miles: This is the same sandwich my Model U.N. group made the first time we all got high together.
Robert Rotenberg has written four legal thrillers set in Toronto, that old industrial city on the shores of Lake Ontario. He's a criminal lawyer — all his books are centered on trials — and he loves his city so much that he makes multicultural Toronto a character in his books. His first release, Old City Hall, is even named after a Toronto landmark: a beautiful stone building that is now used as a courthouse.
Summer is the perfect time for a night out at the cinema, but maybe you've noticed something missing at the movies: women.
Women make up a minority of movie creators: 7 percent of directors, 13 percent of writers and 20 percent of producers; that's nearly five men for every woman working behind the scenes.
Out of last year's biggest movies, 28 percent of speaking characters were female. That's downfrom a third just five years ago, according to the Annenberg School at the University of Southern California.
Critics have called Margalit Fox's new book, The Riddle of the Labyrinth, a paleographic detective procedural. It follows the story of the laborious quest to crack a mysterious script, unearthed in Crete in 1900, known by the sterile-sounding name Linear B.
Difficult Men: Behind the Scenes of a Creative Revolution from The Sopranos and The Wire to Mad Men and Breaking Bad, explores what the author Brett Martin describes as the "Third Golden Age of TV," based on a new kind of television character.
Subscription cable channels don't have sensitive sponsors, commercials or concerns about language or violence. In the book, Martin argues that this relative freedom, combined with the old-fashioned appeal of serial storytelling, creates a new kind of high-quality television programming.