Strange and stylish and surpassingly dark, Denis Villeneuve's Enemy — especiallypaired with the same director's recent cop thriller Prisoners — makes a strong case for star Jake Gyllenhaal as maybe our most enigmatic young leading man.
Nick and Meg have gotten into a bit of a rut in Le Week-End, and to get out of it they're "celebrating" — if that's the word — their 30th anniversary by heading back to a city they last saw on their honeymoon. Nick has even booked a room in the same hotel — which is not, alas, quite the way Meg remembers it. "Beige," she sniffs.
As the star of Arrested Development, Jason Bateman became best known for being the most mature member of the emotionally stunted Bluth family; the roles that followed were largely of the same tone, casting the actor as the affable, mild-mannered, often put-upon nice guy.
Always playing the straight man amid casts of clowns must have created some built-up performance envy, because in his directorial debut he trades in Mr. Nice Guy for Mr. Guy Trilby, finally getting to play an apparent case of severely arrested development himself.
Unhinged by crises both monetary and amorous, a provincial Frenchwoman tells the employees at her restaurant, "I'll be back." Then she takes off in her ancient rattletrap with no escape plan beyond an illicit smoke and a drive to clear her addled head. Turns out she'll be gone a while.
Yes, there's a road movie in Bettie's cards. Yes, there will be formative ordeals. And yes, the payoff will be uplift, along with one of those toothsome al fresco country lunches where Mediterranean types wave their arms around and argue in friendly fashion.
There are three categories of schemers in Big Men, Rachel Boynton's illuminating documentary about the oil business in West Africa: businessmen, politicians and bandits. Sometimes, though, it's hard to tell the types apart.
Painted lips, slicked-back hair and pumping fists form the core of Matt Wolf's documentary Teenage, an impressionistic history of how our concept of the teenager came to be. Composed almost entirely of dazzling archival footage — young people laboring, exercising, fighting, dancing, drinking and playing — the film traces the history of the teenager from the late 19th century to 1945.
Things can take off fast on Twitter. And that's what happened when a couple of writers expressed how much they like riding trains, Amtrak specifically. It started with an idea: Wouldn't it be great if Amtrak would offer writers a chance to ride the rails for free and do some writing along the way? Soon, the idea was being tweeted and retweeted, and Amtrak replied: Sure.
Nonfiction writers often have to go scrounging for their dream subject. They may buy themselves a ticket to some far-flung place, or join an Iditarod team, or start researching a historical figure who seems to have led a colorful life. Sometimes, writers are fortunate enough to already have a personal passion for one subject, and writing a book about it seems only natural.
As the snow melts, even in Minnesota, and daylight lingers into evening, people who like to eat with the seasons know what's coming: asparagus.
"Asparagus means the beginning of spring. It's spring!" says Nora Pouillon, chef and founder of Restaurant Nora in Washington, D.C. Later this month, she'll revise her menu, and it will certainly include asparagus with salmon, and asparagus soup.
It's an elegant vegetable, Pouillon says, and unique: "Sweet and bitter at the same time."