Author Rebecca Stead collects ideas before she sits down to write, even from the smallest encounters — like this one:
"The idea came from a girl — she was wearing cat ears, and I said 'nice ears,'" she tells NPR's Melissa Block. "And she said, 'Thanks! I've been wearing them for a year! I don't know why!' And then she ran away."
Originally published on Tue August 4, 2015 9:27 pm
By Nina Martyris
Born 223 years ago on Aug. 4, the great Romantic poet Percy Bysshe Shelley is celebrated for such works as his sublime odes to the skylark and West Wind. But he was also a radical thinker — and his revolutionary politics stormed in his teacup.
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A just-published literary noir called "Dragonfish" puts a new spin on the old formula. Our book critic Maureen Corrigan has fallen hard for this tale of gamblers, dark alleys and dangerous dames. Here's her review.
Most of the panel discussions that happen at the Television Critics Association press tour currently underway in Beverly Hills have something critical in common: the panelists are humans. (Please hold your jokes about Hollywood. The critics in attendance have made them all.)
There are two ways to look at the kind of fantasy novels that come with big glossaries at the end. Negatively, they're self-indulgent exercises in building fictional worlds, with the author fixating on the sheer quantity of settings and characters to the exclusion of all else. Positively, fantasy-novel glossaries help the reader keep track of an intricate clockwork of imaginary peoples, places, and things — and that intricacy actually pays off.
Originally published on Tue August 4, 2015 3:52 pm
By Carmen Maria Machado
From childhood, The Daughters' Lulu has been a creature of music, able to discern the notes of her surroundings on whim and command: The B-minor of a knife striking a glass, the pitch of different car horns, the musical composition of a waiter's dropped tray. As an adult, she is an opera singer in high demand, a soprano of rare talent who "[prefers] to sing the songs of witches."