I'm just going to tell you right off the bat, you guys: we really liked Inside Out. This does not exactly make us outliers in the critical landscape, but we sit down this week with the great Kat Chow of NPR's Code Switch team to talk about the film. It's a thought-provoking story and visually inventive, so we'll spend some time on the various creative forces at work. At the same time, we ding its one weak scene that unfortunately shows up in a lot of the trailers and we debate who cried the most.
Psychologist Dan Gilbert shares research on what he calls the "end of history illusion," where we think the person we are right now is the person we'll be for the rest of time. Hint: that's not the case.
A new animated feature from Pixar aims to do the near-impossible, as any parent would tell you: get inside the mind of a preteen girl. Inside Out is about an 11-year-old girl named Riley, but the real stars are her emotions — five colorful characters representing joy, sadness, anger, fear and disgust.
Pete Docter, the creative force behind Up and Monsters, Inc., wrote and directed the film, and actress Amy Poehler plays Joy. Both of them laugh about one of the biggest challenges of the movie: deciding how many emotions to include.
"I thought you wanted to loosen up," Charlotte (Judith Godrèche) asks Alex (Adam Scott) close to the end of Patrick Brice's The Overnight. "I do," Alex replies warily. "But I guess I'm just wondering what loosen up means at this point."
A subtle portrait of an EDM Adam, Eden is neither a star-is-born fable nor a soul-is-lost parable. In 1992, teenage Paul (Felix de Givry) gives his life to Paris' house-music scene. Two decades later, he reluctantly takes it back.
Pixar's Inside Out is the perfect tool for coming to grips with what has happened to Pixar itself. The film's most valuable insight is that it's natural to feel sad about growing up, which is true even when the thing growing up is a movie studio that has shepherded countless childhoods.
Cam Stuart (Mark Ruffalo), the bipolar father of two at the center of Maya Forbes' amiable domestic comedy Infinitely Polar Bear, comes to us attired in a scarlet swimsuit with matching bandana as he bangs furiously on the window of a car containing his departing wife, Maggie (Zoe Saldana), and small daughters Amelia (Imogene Wolodarsky) and Faith (Ashley Aufderheide). When his family visits soon after, Cam is an institutionalized zombie, medicated to the gills, his weight ballooning from the side effects of Lithium.
For the next few days, two large billboards in New York's Times Square are being given over to art created by the city's public school students. The project highlights students' work that's part of a new exhibit at the Metropolitan Museum of Art.
"Art is my favorite subject. It lets me see new things," artist and fifth-grader Sharon Yang told a crowd Wednesday, according to member station WNYC.