Credit Allison Michael Orenstein / Opening Band Films
To many baffled outsiders over 40, Bikini Kill frontwoman Kathleen Hanna was a weirdo riot grrrl bopping up and down onstage in her bra and panties, bellowing atonal revenge lyrics at anyone who'd keep her and her fellow women down.
To her ardent young following of 1990s Third Wave feminists, though, Hanna was an alt Messiah, hacking out a space for women in the punk-rock mosh pit and sounding an enraged alarm on behalf of victims of sexual assault.
Like Eve's Bayou, her best-known movie, Kasi Lemmons' Black Nativity presents a child's view of a troubled family. The latter film is sweeter and slenderer, but that's only to be expected: Black Nativity is a musical, after all, as well as a credible attempt at an African-American holiday perennial.
The original Black Nativity is a gospel-music oratorio, conceived by poet Langston Hughes and first performed in 1961. It pairs the Christian Nativity story with traditional spirituals and African drumming.
Some movies try to underscore their authenticity by flashing dates, names and locations on the screen. Mandela: Long Walk to Freedom offers some dates and locations, but not much in the way of names. The result is a history of national transformation in which only two people really seem to matter.
In an annual tradition, writer Bailey White spins a fictional tale of love and life. This year's entry is about a woman dying of cancer who is attended to by a series of old boyfriends, each of whom contributes some sort of minor service. The story ends with a symbolic event at an old hollow tree in the woods, where a coiled snake meets a violent end.
The deadline is looming for "wrimos" — writers challenged to clock in a 50,000 word novel by November 30th.
"We're the largest writing event in the world," says Grant Faulkner, executive director of the Berkeley-based non-profit NaNoWriMo — short for National Novel Writing Month. "People's to-do list revolves around food and shelter, but I would say that creativity is a necessity of life, so we need to do what we can to nurture more creators in the world."
Let's face it, while Thanksgiving get-togethers can be joyful, they can also be stressful. And if you're gearing up for a family gathering right now, you're likely awaiting the arrival of a few loved ones who may be a little hard to love sometimes.
Knowing that, we've called on Amy Dickinson, who writes the syndicated column "Ask Amy," for some advice on how to get through the holiday. Hey there, Amy.
Those of us slaving over pecan and pumpkin pies ahead of Thanksgiving already know that pie-making season is decidedly in full swing. And on a segment for Morning Edition airing Thursday, host David Greene and I discuss the best advice for pie-making newbies. Really, it comes down to this:
Baking is not like cooking a stew or soup. Bakers can't take as many liberties — adding a pinch of this or that.
This is a big week for Mystery Science Theater 3000, or as big a week as can be had for a show that's been off the air since the waning days of the 20th century. The show first aired a quarter of a century ago this past Sunday, and the 25th-anniversary volume (XXVIII, if you're keeping Roman score of the ongoing DVD releases and not the anniversaries) hit shelves on Tuesday. Meanwhile, Thursday marks the return of an MST3K Thanksgiving tradition, the Turkey Day marathon.
England got a lot more of The Beatles than Americans did during the group's formative years. Between 1962 and 1965, The Beatles were featured on 53 BBC radio programs, including their own series, Pop Go the Beatles. They performed originals and covers and chatted with BBC hosts.