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Montgomery Education Foundation's Brain Forest Summer Learning Academy was spotlighted Wednesday at Carver High School.  The academic-enrichment program is for rising 4th, 5th, and 6th graders in the Montgomery Public School system.  Community Program Director Dillion Nettles, says the program aims to prevent learning loss during summer months.  To find out how your child can participate in next summer's program visit

A police officer is free on bond after being arrested following a rash of road-sign thefts in southeast Alabama.  Brantley Police Chief Titus Averett says officer Jeremy Ray Walker of Glenwood is on paid leave following his arrest in Pike County.  The 30-year-old Walker is charged with receiving stolen property.  Lt. Troy Johnson of the Pike County Sheriff's Office says an investigation began after someone reported that Walker was selling road signs from Crenshaw County.  Investigators contacted the county engineer and learned signs had been reported stolen from several roads.

NPR Politics presents the Lunchbox List: our favorite campaign news and stories curated from NPR and around the Web in digestible bites (100 words or less!). Look for it every weekday afternoon from now until the conventions.

Convention Countdown

The Republican National Convention is in 4 days in Cleveland.

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Gary Clark Jr.: A Blues Wunderkind Grows Up, Breaks Out

Oct 25, 2012
Originally published on October 26, 2012 9:05 am

It's been a while since pop-music writers have heaped praise on a blues guitarist as the next big thing. But that's what's happened with Gary Clark Jr., who's just put out his first full-length album on a major label. It's called Blak and Blu.

While the album is new, Clark is not. In fact, he might be the worst-kept, best secret in Austin, Texas. Clark, 28, spent his early teens playing blues clubs in the vibrant 6th Street music scene of downtown Austin, learning from — and impressing — blues legends along the way.

"I was 14 years old when I first played an Austin club," Clark tells NPR's Audie Cornish. "I was hanging out with a friend of mine for her birthday; she wanted to go to this blues bar. They were having this blues jam, and she was like, 'You should get up on stage.' And I went with it."

Clark says the biggest hurdle of that first performance was just understanding what the other musicians were saying.

"The phrases that they used, I wasn't ready for that," he says. "They called out something like, 'We're gonna play a shuffle in the key of G; start from the five.'" And I was like, 'What is that?' I spent the first half of the song just trying to get familiar [and] figure out exactly what they meant."

Clark continued playing around town and quickly picked up a reputation. By the time he was 17, the mayor had declared a "Gary Clark Jr. Day" in Austin. Two years ago, Clark broke out on the national stage when he played at Eric Clapton's Crossroads Guitar Festival.

Here, Clark chats with Audie Cornish about his double life as a high-school student and local music sensation, and tells the stories behind a few of the tracks on Blak and Blu.

Copyright 2012 National Public Radio. To see more, visit



From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.

And it's been a while since pop music writers have heaped praise on a blues guitarist as the next big thing.


CORNISH: But they're doing that with Gary Clark, Jr. This track is from his major label, debut album titled "Blak and Blu."


GARY CLARK JR.: (Singing) Well, I don't know. Yeah, woman, I can't feel a thing...

CORNISH: While the music is new, Clark is not. In fact, he might be the worst best kept secret in Texas. Clark spent his early teens playing blues clubs in the vibrant 6th Street music scene of Austin, learning from and impressing blues legends along the way.

JR.: I was 14 years old when I first played an Austin club. I was hanging out with a friend of mine. For her birthday, she wanted to go to this blues bar. They were having a blues jam, and she was like, you should get up on stage. And I went with it.

CORNISH: Did you actually know how to play at that point?

JR.: I thought I did. You know, it was funny, like, the phrases that they used, you know, I wasn't ready for that. I think they called out something like, yeah, we're going to play a shuffle in the key of G; start from the five. And I was like what is that?


JR.: And so, I spent the, like, first half of the song just trying to get familiar, figure out exactly what they meant. By the end of it, I still didn't get it, but I was familiar with the phrasing.

CORNISH: Are there songs on this album or is there a particular song on this album that when you play it, it kind of brings you back to those early days of being on stage, being in a club and playing with the big names you were playing with?

JR.: Yeah, some of them on the album that kind of take me back, a song like "When My Train Pulls In." That was one of the first songs that I ever started to write.

CORNISH: Really?

JR.: Yeah, it was one of the - it was actually the first song that I played live, you know, one of my originals.


JR.: (Singing) And every day nothing seems to change. Everywhere I go, I keep seeing the same old thing and I, I can't take it no more...

It's definitely got a little bit more intense and more desperation and, you know, as we play the song; and experiences that I've had, you know, the song makes more sense, I guess, and more passionate and really more aware of what I was talking about. You know, and just my little high school experience. I got to travel the world some and get my heart broken and do all that kind of stuff.

CORNISH: Whoa, wait a second. Are you saying you wrote this when you were in high school?

JR.: Yeah, 16, 17...

CORNISH: Well, high school is pretty rough. So...


JR.: Yeah, and it was. You know...

CORNISH: If I can think of a time in my life when I could have wrote a blues song...

JR.: Yeah, I mean...

CORNISH: definitely would have been high school.

JR.: That's a weird time. A bunch of weird kids going through a lot of stuff.


JR.: (Singing) I'll be ready when my train pulls in. Oh, I'll be ready...

CORNISH: How did the kids at school react to what you were up to on the weekends?

JR.: The kids didn't care what I was doing on the weekends. They were more concerned with, like, why aren't you hanging out, you know, at this party and this and this, and so and so is going to be there. And I was like, yeah, I've got this gig on 6th Street. You know, like whatever. They weren't really that interested. So I would go down there and I would hang out with, like, Jimmy Vaughn or Hubert Sumlin, you know, Pinetop Perkins, all these great guitar players and blues musicians. And I would come back and tell these guys and they were like, who.

You know? It was like have you heard the latest Dave Matthews record? And they're like, I'm listening to Outkast now or whatever. And so, that's what kids were listening to. They didn't really pay much attention.

CORNISH: Did it give you a little bit of a split personality? I mean, were you listening to Outkast and, you know, R&B at the time, too? Because I hear some of that influence on the album.


JR.: (Singing) But I wake up around 10 in the morning, getting crazy, feeling horny from the night before, 'cause I was up till four in the morning. Just song...

Yeah, it was like the dual life thing. It was like, I would go out and play these blues venues and play these one-four-five, you know, Freddie King, Albert King, Albert Collins type stuff. And then I would go hang with my friends and I would show them the beats that I was making.


JR.: (Singing) But I can't go on like this knowing that I'm just getting by. I can't go on like this knowing that I'm just getting by...

It just took me a little bit longer to get comfortable putting that out there, just because I was so familiar and had much more experience in the blues world.


CORNISH: Now your name is being used in the same breath as Eric Clapton or Stevie Ray Vaughn, or Jimi Hendrix. And, yeah, how do you respond to that?

JR.: With a smile and, you know, I just keep doing my thing. It's kind of - it's strange. I mean, those guys are all the guys that I was listening to as a kid, I had their posters on my wall and all this. It's nice to be compared to those great, great, great artists of all time. But there's a little bit of pressure in that, and I don't know if I'm up for standing up to that pressure. I'm just trying to do me and do the best I can with what I've got.


JR.: (Singing) You gonna know my name by the end of the night. Well, bright lights, big city going to my head. Bright lights, big city going to my head...

CORNISH: Gary Clark, Jr., thank you so much for speaking with us.

JR.: Thank you for having me, much appreciated.


JR.: (Singing) I don't care, no. 'Cause you don't care, no.

CORNISH: Gary Clark Jr.'s new album is called "Blak and Blu."


JR.: (Singing) Start off with the bottle ending up with a bottle, taking shots waiting on tomorrow, trying to fill up what's hollow. You gonna know my name. You gonna know my name. Bright lights, big city going to my head...

CORNISH: This is NPR. Transcript provided by NPR, Copyright National Public Radio.