The Boston Citgo sign, all 3,600 square LED feet of which has served as the backdrop to Red Sox games since 1965, is now officially a "pending landmark."

Spanish Surrealist Salvador Dalí spent much of the 1940s in the U.S., avoiding World War II and its aftermath. He was a well-known fixture on the art scene in Monterey, Calif. — and that's where the largest collection of Dalí's work on the West Coast is now open to the public.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

The middle of summer is when the surprises in publishing turn up. I'm talking about those quietly commanding books that publishers tend to put out now, because fall and winter are focused on big books by established authors. Which brings us to The Dream Life of Astronauts, by Patrick Ryan, a very funny and touching collection of nine short stories that take place in the 1960s and '70s around Cape Canaveral, Fla.

When the United Kingdom voted to leave the European Union last month, the seaside town of Port Talbot in Wales eagerly went along with the move. Brexit was approved by some 57 percent of the town's residents.

Now some of them are wondering if they made the wrong decision.

The June 23 Brexit vote has raised questions about the fate of the troubled Port Talbot Works, Britain's largest surviving steel plant — a huge, steam-belching facility that has long been the town's biggest employer.

Solar Impulse 2 has landed in Cairo, completing the penultimate leg of its attempt to circumnavigate the globe using only the power of the sun.

The trip over the Mediterranean included a breathtaking flyover of the Pyramids. Check it out:

President Obama is challenging Americans to have an honest and open-hearted conversation about race and law enforcement. But even as he sits down at the White House with police and civil rights activists, Obama is mindful of the limits of that approach.

"I've seen how inadequate words can be in bringing about lasting change," the president said Tuesday at a memorial service for five law officers killed last week in Dallas. "I've seen how inadequate my own words have been."

Mice watching Orson Welles movies may help scientists explain human consciousness.

At least that's one premise of the Allen Brain Observatory, which launched Wednesday and lets anyone with an Internet connection study a mouse brain as it responds to visual information.

The FBI says it is giving up on the D.B. Cooper investigation, 45 years after the mysterious hijacker parachuted into the night with $200,000 in a briefcase, becoming an instant folk figure.

"Following one of the longest and most exhaustive investigations in our history," the FBI's Ayn Dietrich-Williams said in a statement, "the FBI redirected resources allocated to the D.B. Cooper case in order to focus on other investigative priorities."

This is the first in a series of essays concerning our collective future. The goal is to bring forth some of the main issues humanity faces today, as we move forward to uncertain times. In an effort to be as thorough as possible, we will consider two kinds of threats: those due to natural disasters and those that are man-made. The idea is to expose some of the dangers and possible mechanisms that have been proposed to deal with these issues. My intention is not to offer a detailed analysis for each threat — but to invite reflection and, hopefully, action.

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Facebook Co-Founder Chris Hughes Redesigns 'New Republic'

Jan 29, 2013
Originally published on January 29, 2013 12:58 pm

Chris Hughes, 29, is the co-founder of Facebook, a former adviser to the Obama campaign, and now the publisher of the 98-year-old magazine The New Republic.

He's facing the same challenges other print media owners do: how to marry in-depth news articles with screens that seem to be getting smaller and smaller. Hughes tells NPR's Steve Inskeep it's a task he's prepared to tackle.

Interview Highlights

On redesigning to fit the way we read

"The New Republic is known for doing long-form journalism. But we already see over 20 percent of our traffic coming from mobile. So we've redesigned our website so that it's optimized for not only a mobile reading experience, but for the tablet as well. We've added in all kinds of features like cross-device syncing, so that if you start a piece at your desk and you get halfway through it, when you come back to the same article on your phone, it picks you up right where you left off. ... Increasingly, that's the way we read."

On why The New Republic will not beat The Huffington Post

"The first thing that people tend to do is roll over in the bed, pick up their phone, check their e-mail briefly, and check the headlines. For us, we're not trying to compete with The New York Times or The Huffington Posts of the world to get that first dash of the headlines in the morning. Where you're much more likely to read The New Republic is at lunch, in the evenings, on the weekends — the moments when you want to try and go a little bit deeper and get some context and analysis on the journalism of the day."

On social media and partisan pushes

"We use something called Chartbeat, which shows you how quickly pieces are moving across the social media universe, and that's open in my browser throughout the day. However, it's really important to not be completely guided by the social environment. While it's very important that our pieces move and that people want to share them, I think it might naturally lead towards content that's a little bit more partisan at times; it's more about wit or a quick hit rather than substance. So it's a balance. ... I think the way that social environments work, they tend to reward more extreme opinions. I think they tend to reward images and content that's packaged well. And all of that's important — but that doesn't necessarily lead to the best journalism."

On finding media sustainability in the digital age

"Our model isn't altogether different from the models that magazines used previously. What is different is that it used to be, you give us $35 and we give you 20 issues of print a year. That just isn't gonna cut it in 2013. So now our model is, you give us $35 a year, we give you 20 issues of print, we also give you unlimited access on the Web, we give you audio versions, we give you comments — so the business model is much broader, but I also think in time it can be a profitable one. It may not be the same level as media companies made money in the late 20th century, but I think as long as we're focused on a high quality of journalism, then we can get to a point where it's sustainable, if not profitable. It will take some time, but I think we can get there."

On why TNR will keep the printing presses going, for now

"We make money off of print. And in addition to that, I personally love print. I mean, I tend to read on my phone and my iPad, but on the weekends in particular, I love sitting down with a print magazine and going page by page. So, it makes business sense for us, and it also is something that I love. So we're committed to print for the foreseeable future."

Copyright 2013 NPR. To see more, visit http://www.npr.org/.