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The Republican National Convention is in 4 days in Cleveland.

The Democratic National Convention is in 11 days in Philadelphia.

NASA has released the first picture of Jupiter taken since the Juno spacecraft went into orbit around the planet on July 4.

The picture was taken on July 10. Juno was 2.7 million miles from Jupiter at the time. The color image shows some of the atmospheric features of the planet, including the giant red spot. You can also see three of Jupiter's moons in the picture: Io, Europa and Ganymede.

The Senate is set to approve a bill intended to change the way police and health care workers treat people struggling with opioid addictions.

My husband and I once took great pleasure in preparing meals from scratch. We made pizza dough and sauce. We baked bread. We churned ice cream.

Then we became parents.

Now there are some weeks when pre-chopped veggies and a rotisserie chicken are the only things between us and five nights of Chipotle.

Parents are busy. For some of us, figuring out how to get dinner on the table is a daily struggle. So I reached out to food experts, parents and nutritionists for help. Here is some of their (and my) best advice for making weeknight meals happen.

"O Canada," the national anthem of our neighbors up north, comes in two official versions — English and French. They share a melody, but differ in meaning.

Let the record show: neither version of those lyrics contains the phrase "all lives matter."

But at the 2016 All-Star Game, the song got an unexpected edit.

At Petco Park in San Diego, one member of the Canadian singing group The Tenors — by himself, according to the other members of the group — revised the anthem.

School's out, and a lot of parents are getting through the long summer days with extra helpings of digital devices.

How should we feel about that?

Police in Baton Rouge say they have arrested three people who stole guns with the goal of killing police officers. They are still looking for a fourth suspect in the alleged plot, NPR's Greg Allen reports.

"Police say the thefts were at a Baton Rouge pawn shop early Saturday morning," Greg says. "One person was arrested at the scene. Since then, two others have been arrested and six of the eight stolen handguns have been recovered. Police are still looking for one other man."

A 13-year-old boy is among those arrested, Greg says.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

After an international tribunal invalidated Beijing's claims to the South China Sea, Chinese authorities have declared in no uncertain terms that they will be ignoring the ruling.

The Philippines brought the case to the Permanent Court of Arbitration in The Hague, objecting to China's claims to maritime rights in the disputed waters. The tribunal agreed that China had no legal authority to claim the waters and was infringing on the sovereign rights of the Philippines.

Donald Trump is firing back at Supreme Court Justice Ruth Bader Ginsburg after she disparaged him in several media interviews. He tweeted late Tuesday that she "has embarrassed all" with her "very dumb political statements" about the candidate. Trump ended his tweet with "Her mind is shot - resign!":

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'Cosmopolis' Captures Decadent Spirit Of The Age

Aug 16, 2012

A matinee idol for the age of HDTVs and "retina displays," Robert Pattinson has a face that seems to require a higher resolution — glossy and ghostly pale, all sleek lines and alabaster skin. As Edward Cullen, the emo vampire in the Twilight saga, Pattinson plays a creature so immaculately inhuman that he literally sparkles in the sunlight. Edward may be over a century old, but Pattinson has become a thoroughly modern, even futuristic teen heartthrob, looking at all times as airbrushed as his many Entertainment Weekly covers.

Pattinson plays a different sort of vampire in Cosmopolis -- a soulless Wall Street billionaire who inches across Manhattan in a white stretch limousine, oblivious to the turmoil outside his hermetic coffin. His casting remains the most compelling thing about David Cronenberg's cerebral adaptation of Don DeLillo's 2003 novel, both because it's a dramatic left turn from the florid, teen-friendly romance of the Twilight movies and because it so cunningly exploits his robotic beauty. As an unfeeling cipher who operates at a stark disconnect from the world around him, Pattinson embodies that infamous Mitt Romney line from the campaign trail: "Corporations are people, my friend."

Updating DeLillo's book to reflect the contemporary backdrop of Occupy Wall Street, Cronenberg stages Cosmopolis as a series of self-contained dialogues that come together in a patchwork of moral and economic decay. Over warnings of a presidential motorcade clogging up the already busy streets — and a "credible threat" to his own life — Eric Packer (Pattinson) decides to travel across the city for a haircut he doesn't need. It's the kind of absurd indulgence that billionaires like Eric can afford, but on this day he probably needs a break from the office, since his empire is collapsing. He has made a big bet that the Chinese yuan will stop increasing in value, and he's come up snake eyes.

Without always explaining how the other characters get in and out of the limo, the film finds Eric visited by a steady stream of business consultants and available women (including the ravishing Juliette Binoche), as well as his equally wealthy and chilly wife (Sarah Gadon) and a doctor who examines him regularly for "an asymmetrical prostate." Eric philosophizes with his guests and gets physical with a few of them, but beyond the threat to his life and the linked deterioration of his fortune and marriage, there's nothing terribly dramatic about Cosmopolis. And how could there be, with a hero this bloodless?

Cosmopolis is the first screenplay Cronenberg has written for one of his films since 1999's eXistenZ, and while the earlier project is a wholly original repository of Cronenbergian themes about technology and body horror, both films are perfect time-capsule movies, assessing what it's like to live now. Images like Pattinson's one-percenter obliviously discussing financials while "the 99 percent" are outside trashing his limo give the film a very specific time stamp that should resonate as much in the future as it does now. Its value comes more from being a vivid emblem of the era than a dramatic powerhouse.

To some degree, Cosmopolis is another of Cronenberg's semi-perverse exercises in adapting the unadaptable, joining other such screen-resistant works as William S. Burroughs' Naked Lunch and J.G. Ballard's Crash. Eric's plotless encounters are compelling scene by scene, but they can feel a bit enervating over the long haul, because there's nothing driving the film forward — certainly not the limo. It's like a dream that engages and drifts, until waking with a start in a finale that's as bracing and raw as the rest of the film is coolly distant.

Corporations may be people, my friend, but Cosmopolis goes deep in trying to understand what that person might be like and how far he'd be removed from the rest of the species. Cronenberg isn't a flame-throwing agitator by nature, but he taps into an undercurrent of paranoia, unrest and class resentment that's sharply political and of the moment. He hasn't made a movie. He has made a vibe.

Copyright 2012 National Public Radio. To see more, visit http://www.npr.org/.