Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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6:01pm

Thu August 23, 2012
Movie Reviews

In A French Confection, A Hollywood Aftertaste

Originally published on Thu August 23, 2012 8:32 pm

Friends Antoine (Laurent Lafitte), Eric (Gilles Lellouche) and Marie (Marion Cotillard) are among the troubled group that makes an annual retreat to a home in Cap Ferret.
MPI Media Group

It's summer in France, time for stressed urbanites to head to the beach and forget their problems. For the circle of friends featured in Little White Lies, however, this year's problems are a little more memorable than most.

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5:03pm

Thu August 16, 2012
Movie Reviews

In Tehran, A Vivid Parable About The Ends Of Things

Irane (Golshifteh Farahani) is the one who got away from violinist Nasser Ali (Mathieu Amalric) — and her loss consumes the musician in Chicken with Plums, a new film from Marjane Satrapi and Vincent Paronnaud.
Patricia Khan Sony Pictures Classics

A parable of art and love, and a political allegory to boot, Chicken with Plums centers on an Iranian musician who wills himself to die. Yet the story that then unfolds, mostly in flashback, could hardly be more vital and engaging.

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5:03pm

Thu August 16, 2012
Movies

A Song-And-Dance Show About Dark Realities

Originally published on Fri August 17, 2012 12:53 pm

Catherine Deneuve and Chiara Mastroianni — mother and daughter in real life — portray two generations of romantics in Christophe Honore's second musical.
IFC Entertainment

With Love Songs, his 2007 musical, French writer-director Christophe Honore updated such 1960s bonbons as The Umbrellas of Cherbourg for our age of expanded erotic frankness and possibility. Beloved, Honore's second musical, goes even farther, layering death, AIDS and Sept. 11 among the merry melodies.

This stylish film is enormous fun, whirling and warbling across four decades of amour. But it stumbles a few times in its last half-hour and ultimately seems a little too frisky for the graver issues it addresses.

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5:03pm

Thu August 9, 2012
Movie Reviews

'Bourne': New Character, New Star, Same Results

Aaron Cross (Jeremy Renner) and Marta Shearing (Rachel Weisz) in an action sequence from The Bourne Legacy. The franchise, now four installments in, marches on with a new lead character and actor.
Mary Cybulski Universal Studios

As the title of the fourth movie in a perhaps never-ending series, The Bourne Legacy is almost too perfect. Variations on what happened to Jason Bourne in the first three entries can befall new characters indefinitely. If this prospect sounds a little tiresome — well, that's what quick cuts and superhuman stunts are for.

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5:03pm

Thu August 2, 2012
Movie Reviews

In A Decrepit Future, An Identity Crisis Multiplies

Doug Quaid (Colin Farrell) visits Rekall, a company that implants memories in its customers, in an attempt to explain a series of recurring dreams. Farrell plays the role originally portrayed by Arnold Schwarzenegger in the 1990 film of the same name.
Michael Gibson Columbia Pictures

Set in a high-tech yet shabby future, the remake of Total Recall is a fully realized piece of production design. But its script, credited to six authors, is more like a preliminary sketch.

Directed by Underworld franchise veteran Len Wiseman, the movie retains some elements of Paul Verhoeven's friskier (and more graphically violent) 1990 original. Yet it also makes lots of changes, notably by downplaying the brain-bending aspects of the scenario in favor of thought-free action. (Also, it never leaves a devastated Earth for Mars.)

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5:08pm

Thu July 26, 2012
Movie Reviews

'Ai Weiwei': A Defiant Artist Pushes Back In China

Originally published on Thu July 26, 2012 6:44 pm

Ai Weiwei is one of the biggest stars of the international art world, but Alison Klayman's documentary Ai Weiwei: Never Sorry focuses more on the significance of his politics than of his artwork.
Ted Alcorn IFC Films

Cage-rattling Chinese artist Ai Weiwei lives in a Beijing complex with his wife and some 40 cats and dogs. Only one of the animals — a cat — has figured out how to open the door to the outside. This ready-made metaphor arrives early in Alison Klayman's documentary Ai Weiwei: Never Sorry and is never mentioned again. But it underlies the tale of one of the few contemporary Chinese who publicly defies the government.

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5:03pm

Thu July 19, 2012
Movie Reviews

'Hara-Kiri': A Samurai's Bluff Hides A Revenge Plot

Hara-Kiri: Death of a Samurai is set in an era in which some underemployed warriors would bluff their willingness to commit ritual suicide, hoping for money or employment from wealthy families who didn't want to deal with the mess. Hanshiro's (Ebizo Ichikawa) own bluff in the film, however, goes deeper.
Tribeca Film

Japanese cinematic extremist Takashi Miike is known for movies that go too far — often because they can't figure out where else to go. So it was revealing when last year's 13 Assassins, a remake of a 1963 samurai adventure, demonstrated a traditionalist streak in Miike's tastes. But that movie is a crystal-meth freakout compared with the director's latest effort, the stately Hara-Kiri: Death of a Samurai.

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5:03pm

Thu July 12, 2012
Movie Reviews

Science And The Paranormal, At Odds To The Finish

In Red Lights, Simon Silver (Robert De Niro) is a psychic who comes out of retirement and poses a threat to two academics, Margaret Matheson (Sigourney Weaver) and Tom Buckley (Cillian Murphy), who are wary of all claims to the supernatural.
Millennium Entertainment

Of all the hustlers who present cheap tricks as "magic," few are more shameless than filmmakers. Under the cover of "It's only a movie," directors and screenwriters exhort the gullible to believe in ghosts, telekinesis, extraterrestrials and such.

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5:03pm

Thu July 12, 2012
Movie Reviews

A Humble Servant, Watching As The Throne Totters

Gabrielle de Polignac (Virginie Ledoyen, left) is the close, possibly intimate, friend of Marie Antoinette (Diane Kruger) — and the two are the bane of the approaching revolutionaries in Farewell, My Queen.
Carole Bethuel Cohen Media Group

In 1995's A Single Girl, probably his best known film in the U.S., Benoit Jacquot tracks a young chambermaid through one workday as she ponders a big decision. The French writer-director's smart and ultimately wrenching Farewell, My Queen takes a similar course — only this time the protagonist toils for Queen Marie Antoinette, and the story opens on July 14, 1789.

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5:01pm

Thu July 5, 2012
Movie Reviews

Father And Son, On The Lam In The Outback

Hugo Weaving and Tom Russell as Kev and Chook in Last Ride. Chook's love of animals and lesser propensity for the outdoors clash with the life lessons Kev tries to teach him in the Australian wilderness.
Rhys Graham Music Box Films

Kev, the man at the center of Last Ride, has a very particular skill set: He can lift wallets, steal cars and survive in the Australian bush, sleeping under the stars and dining on fresh wild rabbit. Taking care of his 10-year-old son, however, comes less naturally to him.

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