John Powers

A couple of months ago, I visited Beijing, and like so many before me, I was stunned by how hypercapitalist Communist China has become — the hundreds of glossy highrises, the countless shops selling Prada and Apple, the traffic jams filled with brand new Audis. You felt you could be in L.A. or Tokyo — until you wanted some information. Then you discovered that Facebook was permanently blocked, certain words in Google searches always crashed your browser, and, as my wife joked, it was easier to buy a Rolls-Royce than a real newspaper. Here was a country at once booming — and repressive.

If you only knew about America from watching TV, the last few months might lead you to think that women here wield enormous political power. First you had Game Change, the story of Sarah Palin's attempt to become vice president. Then you had Veep, in which Julia Louis-Dreyfus's character has accomplished just that. Now comes Political Animals, a new USA network series about a strong female secretary of state who I suspect even a Martian would realize is based on Hillary Clinton.

A lot of stand-up comedians make us laugh, but only a handful, like Lenny Bruce, Woody Allen or Richard Pryor, actually change the way that comedy is done. It's too early to be sure, but another one of them may be Louis C.K., the paunchy, balding, ginger-haired comic who's something of a quiet radical. He has one of those comic talents that's at its best when it isn't worried about being funny.

If anyone in Hollywood wears his idealism like a boutonniere, it's Aaron Sorkin. As The West Wing made clear, Sorkin loves telling stories about principled individuals — especially liberals — struggling with institutions that might compromise their integrity.

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