Elizabeth Blair

Elizabeth Blair is a Peabody Award winning, Senior Producer/Reporter on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

One of the most iconic songs of the civil rights movement is now the subject of a lawsuit.

The so-called Panama Papers have shined a light on the hundreds of thousands of shell companies used to circulate assets around the world. One of those assets is fine art, and the leaked papers show how collectors and companies have secretly bought and sold famous works by artists like Amedeo Modigliani and Pablo Picasso, among others.

Casting and skin color are at the heart of a controversy surrounding a new movie about the legendary singer Nina Simone. The movie hasn't been released yet, but the casting of Afro-Latina actor Zoe Saldana in the lead has caused an uproar from some Simone fans and family members.

The Sony Corporation has announced it will pay Michael Jackson's estate $750 million for Jackson's 50 percent share of the Sony/ATV music publishing company.

The backstory here has more twists and shouts than a long and winding road (Couldn't resist, but note that the rights to both "Twist and Shout" and "The Long and Winding Road" belong to Sony/ATV). Sony's purchase marks the culmination of one of the most remarkable stories in the history of the music business.

First, it's not really black. It's not even a color or a pigment. "Vantablack" is a "material," according to Surrey NanoSystems, the British company that created it.

President Obama has nominated Carla D. Hayden as the next librarian of Congress. If confirmed, she would be the first woman and first African-American ever to lead the world's largest library.

Hayden is currently CEO of the Enoch Pratt Free Library in Baltimore.

In a White House statement, Obama says he and the first lady have known Hayden since she was at the Chicago Public Library, where she was deputy commissioner and chief librarian from 1991-1993.

Screenwriter Meg LeFauve is having a very good year. She's nominated for an Oscar as one of the writers of Pixar's deeply original, animated movie Inside Out; she wrote the screenplay for The Good Dinosaur; and now she's co-writing the female superhero movie Captain Marvel. According to actress Jodie Foster, LeFauve's mentor and one-time collaborator, her gifts as a writer mirror her gifts as a person: sensitivity combined with a "keen, precise mind."

T.J. Miller has played a dragon slayer in the How to Train Your Dragon movies, a man who doesn't always change his underwear in Big Hero 6 and a pothead who thinks he's a tech rock star in HBO's Silicon Valley. Now Marvel fans will know him as bartender Weasel, best friend to the titular superhero in the new, R-rated comic book movie Deadpool.

The aptly titled Sweat is all about work — and the fear of losing it. In the new play by Pulitzer Prize-winning writer Lynn Nottage, change is coming for workers at a steel tubing plant. "They've got buttons now that can replace all of us," one character says. Sure enough, the company is about to move production to Mexico and ask longtime union workers to accept lower wages. They refuse, and end up locked out and replaced by immigrant labor.

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