Known for the emotional range of his solo work, vibraphonist Joe Locke has established himself as a composer, bandleader and educator. He has recorded with artists such as Eddie Henderson and Grover Washington Jr., and he continues to tour worldwide.
In this episode of Piano Jazz, Locke performs his original composition "Seven Beauties" on piano, as well as a medley of songs by Joni Mitchell and Carly Simon on vibes. Host Marian McPartland joins in for a duet of the standard "I Should Care."
A phenomenal guitarist and pioneering audio engineer, Les Paul has been a major influence in 20th Century music, both as a performer and technical innovator. The guitar legend made a rare appearance on Piano Jazz, bringing with him his trio — Lou Paulo on guitar and Paul Nowinski on bass.
Originally published on Fri August 1, 2014 4:28 pm
What is it with trumpeter Avishai Cohen and triples lately? He recently recorded a pair of albums with his band Triveni, a free-swinging trio which showcases his fervent imagination. He's also one of three Cohen siblings in jazz's top echelon; Avishai invited his big sister Anat, the celebrated clarinet specialist, to join him here.
Pianist and singer-songwriter Bruce Hornsby spent quite a few years playing in bars and writing songs — many of them with his brother, John Hornsby. The two moved to Los Angeles in 1980 and spent three years writing for 20th Century Fox. In 1985, Bruce Hornsby and his band The Range signed a recording contract with RCA. The resulting album, The Way It Is, produced three Top 20 hits and helped win the group a Grammy for Best New Artist in 1986.
"We had to do things ourselves until something else kicked in," bassist William Parker said at a panel earlier this month. He was explaining how he came to co-found the Vision Festival. "And nothing's ever really kicked in."
The vibraphone is a special instrument. That spooky, smoky, sparkling sound — there's nothing like it. And there's nothing like hearing the vibes played by Bobby Hutcherson.
Hutcherson has covered a lot of ground on his instrument. In the 1950s he was already playing professional gigs, as a teenager. In the '60s, he was a leading light of jazz's avant garde, breaking new ground on some of the most revered LPs issued by Blue Note Records.
Originally published on Thu June 19, 2014 11:22 am
Pianist Horace Silver, whose potent and catchy combination of blues, funk and Latin sounds shifted the jazz landscape in the 1950s and '60s, died Wednesday morning at his home in New Rochelle, N.Y. He died of natural causes, according to his son, Gregory Silver. He was 85.
As a bandleader, Horace Silver mentored some of the hottest musicians of his era. As a composer, he devised numerous jazz standards still played today.
When you read enough about the early lives of jazz musicians, you begin to spot a trend. A lot of artists caught the music bug from their parents.
With instruments and musicians around the house, it's easy for kids to grow curious about playing. But that's not nearly the whole story. Sometimes parents are the first teachers. Other times, parental guidance doesn't fully kick in until much later.
Saxophonist Jerry Dodgion has played with just about everyone in the jazz world throughout his long career. In 1955, Dodgion joined Benny Carter in Las Vegas for the opening of the Moulin Rouge, and in the late '50s, he played with both Frank Sinatra and the Red Norvo quintet.