Originally published on Thu January 23, 2014 11:15 am
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Drummer Chick Webb's 1930s orchestra terrorized competitors in band battles and sent dancers into orbit at Harlem's Savoy Ballroom. They could be similarly explosive on record, but only rarely. Early on, they did have some hot Edgar Sampson arrangements that Benny Goodman would soon turn into hits, like "Blue Lou" and "Don't Be That Way." But the Webb band also had an old-school crooner, Charles Linton, with pre-jazz-age enunciation.
Originally published on Tue December 10, 2013 2:04 pm
By Lara Pellegrinelli
If the apple doesn't fall far from the tree, sometimes two apples will land on similar turf. Brian Blade has been Wayne Shorter's drummer for several years and leads his own project called The Fellowship Band. His older brother Brady Blade is perhaps best known for his drumming with Emmylou Harris and is an all-around music industry mover and shaker.
For this 2006 episode of Piano Jazz, trumpeter Ellen Seeling brought her longtime collaborator and the assistant director of the Montclair Women's Big Band, saxophonist Jean Fineberg, as well as New York drummer Allison Miller.
Steve Lacy used to say that the right partner can help you make music you couldn't get to by yourself. Take the quartet William Parker founded in 2000, for example. Parker's bass tone was always sturdy as a tree trunk, but power drummer Hamid Drake gives him lift. The upshot is that free jazz can swing, too. The quartet's front line is another firm partnership: quicksilver alto saxophonist Rob Brown and flinty trumpeter Lewis Barnes.
Originally published on Thu December 12, 2013 12:39 pm
Many jazz musicians write music here and there, but it's still a leap for someone to go from "writing tunes" to taking pride in the art of composition. The alto saxophonist Patrick Cornelius, based in New York for a decade now, is headed that way. After releasing his fourth album, Infinite Blue, earlier this year, he's now set to premiere a new set of compositions for jazz octet. While We're Still Young is a suite based on the illustrated book of children's poems When We Were Very Young, by Winnie-The-Pooh creator A.A.
Originally published on Wed December 11, 2013 1:23 pm
A Brian Blade Fellowship concert feels a bit like a family reunion. Its core — drummer Blade, pianist Jon Cowherd and bassist Chris Thomas — has played together for more than 20 years, and its horn players have stayed loyal to the operation, too. Its repertoire feels rooted in a deep emotional well where sacred abuts secular and jazz meets its Southern folk cousins. Sparks always seem to fly when it gathers for an infrequent recording or string of tour dates.
Keith Jarrett is a jazz legend. His catalog of recordings includes solo piano improvisations, trio and quartet works, classical performances, early sessions with Charles Lloyd and late ones with Miles Davis. But there's nothing quite like Jarrett's new double-CD set No End: It was recorded in his home studio in 1986, and he plays all the instruments — notably drums, bass and electric guitar.