Originally published on Tue December 10, 2013 2:04 pm
By Lara Pellegrinelli
Brian (left) and Brady Blade.
Credit Megan Holmes/Mary Ellen Matthews / Courtesy of the artists
If the apple doesn't fall far from the tree, sometimes two apples will land on similar turf. Brian Blade has been Wayne Shorter's drummer for several years and leads his own project called The Fellowship Band. His older brother Brady Blade is perhaps best known for his drumming with Emmylou Harris and is an all-around music industry mover and shaker.
For this 2006 episode of Piano Jazz, trumpeter Ellen Seeling brought her longtime collaborator and the assistant director of the Montclair Women's Big Band, saxophonist Jean Fineberg, as well as New York drummer Allison Miller.
Steve Lacy used to say that the right partner can help you make music you couldn't get to by yourself. Take the quartet William Parker founded in 2000, for example. Parker's bass tone was always sturdy as a tree trunk, but power drummer Hamid Drake gives him lift. The upshot is that free jazz can swing, too. The quartet's front line is another firm partnership: quicksilver alto saxophonist Rob Brown and flinty trumpeter Lewis Barnes.
Originally published on Thu December 12, 2013 12:39 pm
Credit Michael Borgida / Berklee College of Music
Many jazz musicians write music here and there, but it's still a leap for someone to go from "writing tunes" to taking pride in the art of composition. The alto saxophonist Patrick Cornelius, based in New York for a decade now, is headed that way. After releasing his fourth album, Infinite Blue, earlier this year, he's now set to premiere a new set of compositions for jazz octet. While We're Still Young is a suite based on the illustrated book of children's poems When We Were Very Young, by Winnie-The-Pooh creator A.A.
Originally published on Wed December 11, 2013 1:23 pm
Credit John Rogers for NPR / johnrogersnyc.com
A Brian Blade Fellowship concert feels a bit like a family reunion. Its core — drummer Blade, pianist Jon Cowherd and bassist Chris Thomas — has played together for more than 20 years, and its horn players have stayed loyal to the operation, too. Its repertoire feels rooted in a deep emotional well where sacred abuts secular and jazz meets its Southern folk cousins. Sparks always seem to fly when it gathers for an infrequent recording or string of tour dates.
Keith Jarrett is a jazz legend. His catalog of recordings includes solo piano improvisations, trio and quartet works, classical performances, early sessions with Charles Lloyd and late ones with Miles Davis. But there's nothing quite like Jarrett's new double-CD set No End: It was recorded in his home studio in 1986, and he plays all the instruments — notably drums, bass and electric guitar.
Most music fans will recognize the title of Ben Allison's new album, The Stars Look Very Different Today, as a reference to the song "Space Oddity," itself a reference to the film 2001: A Space Odyssey.
Pianist Jonathan Batiste was born and raised in New Orleans as part of the Batiste jazz family dynasty there. He was playing with the family band by age 8. Eventually he took his talents to Julliard, and that's where he met the rest of Stay Human: Joe Saylor on the drums, Ibanda Ruhumbika on tuba and Eddie Barbash on alto sax.
Jason Moran and The Bandwagon perform in the KC Jazz Club.
Credit Jati Lindsay / Courtesy of the Kennedy Center
He's not 40 yet, but Jason Moran is a 2010 MacArthur Fellow, the Artistic Advisor for Jazz at the Kennedy Center, and a Resident Artistic Director at SFJAZZ in San Francisco. He grew up in Houston, teaches at the New England Conservatory of Music and lives in New York, home to an early 20th century piano tradition of which he is more than aware. Moran has led this trio, The Bandwagon, for more than a dozen years.