For decades, Jimmy Amadie played solely in his home, heard only by his students when he'd play for them during lessons. His performing career was derailed because of severe hand problems. But later in life, he achieved some fame for his albums — and for the story of what he'd had to overcome to make it possible for him to record. Amadie died of lung cancer on Dec. 10. He was 76.
Born in Milan on December 5, 1972, Stefano Bollani was playing piano by age six. He grew up listening to his father's stride piano albums, and the pop music of Italian superstars Renato Carsone and Adriano Celentano.
Jazz guitarist, composer and arranger Jim Halldied in his sleep Tuesday; he was 83. Hall was known for a subtle, lyrical playing style, a gift for innovation and collaborations with a host of talented musicians in a career that stretched more than seven decades.
Originally published on Mon December 23, 2013 3:45 pm
Left to right: Stanley Cowell, Andy Bey, Michele Rosewoman and Sullivan Fortner team up on "Jingle Bells" during <em>A Jazz Piano Christmas</em>.
Toward the end of every year, NPR Music invites some of the world's best jazz keyboard players to the John F. Kennedy Center for the Performing Arts. We ask them to take on some of their favorite Christmas tunes, solo, and the recording becomes the public radio special A Jazz Piano Christmas.
The Jazz Institute of Chicago and the city's Park District teamed up in December 2012 to present this free family concert with Dee Alexander. As we air it on JazzSet a year later,Alexander is just back from performing the show in Poland where, she writes, "everyone was on their feet."
Originally published on Thu January 23, 2014 11:15 am
British songwriter Laura Mvula was a favorite on public radio stations around the country.
Credit Larry Hirshowitz / KCRW
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Drummer Chick Webb's 1930s orchestra terrorized competitors in band battles and sent dancers into orbit at Harlem's Savoy Ballroom. They could be similarly explosive on record, but only rarely. Early on, they did have some hot Edgar Sampson arrangements that Benny Goodman would soon turn into hits, like "Blue Lou" and "Don't Be That Way." But the Webb band also had an old-school crooner, Charles Linton, with pre-jazz-age enunciation.