Wed October 8, 2014
A Blog Supreme

What Is Jazz Night In America?


Along with NPR Music's partners at WBGO and Jazz At Lincoln Center, we're proud to announce a new public media initiative: Jazz Night In America. You can check it out on your local public radio station, as well as online at npr.org/jazznight.

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Wed October 8, 2014

Art As Conversation: Three New Collaborative Albums

Originally published on Tue October 14, 2014 4:37 pm

Nels Cline and Julian Lage's new collaborative album is called Room.
Courtesy of the artist


Tue October 7, 2014
Jazz Night Concerts

Jazz At Lincoln Center Opening Night

Originally published on Fri October 24, 2014 7:23 pm

Dreiser Durruthy Bambolé (left) and Yesenia Fernandez Selier dance in front of the Jazz at Lincoln Center Orchestra.
Frank Stewart Jazz at Lincoln Center

Building on the Jazz at Lincoln Center Orchestra's recent trip to Cuba, managing and artistic director Wynton Marsalis presents his newest large-scale work: Ochas, a suite for big band and Afro-Cuban percussion. He calls upon young superstar Pedrito Martinez, who brought along a trio of fellow hand percussionists, to execute the chants and rhythms of the batá drums specific to Santería religious practice. And he called upon virtuoso Cuban pianist Chucho Valdés to ignite the proceedings.

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Sat October 4, 2014
Tiny Desk Concerts

Ryan Keberle & Catharsis: Tiny Desk Concert

Colin Marshall NPR

Even if you've never been to a jazz concert in your life, it's likely that you've heard Ryan Keberle play trombone. He's toured with Sufjan Stevens, backed up pop stars like Alicia Keys and Justin Timberlake, recorded for a Woody Allen film, played in Broadway pits and directed music for a church in Manhattan. Left to his own devices, though, Keberle likes to put himself into improvising situations.

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Fri October 3, 2014
Song Travels

Herb Alpert On 'Song Travels'

Herb Alpert.
Chris Adjani Courtesy of the artist

Herb Alpert is a world-renowned musician, composer, producer and co-founder of A&M Records. He rose to fame with the Tijuana Brass, and remains the only artist to have a No. 1 record as a singer and an instrumentalist.

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Fri October 3, 2014
Marian McPartland's Piano Jazz

Joe Wilder On Piano Jazz

Andrew Lepley Redferns

This episode of Piano Jazz is in memory of trumpeter Joe Wilder (Feb. 22, 1922 – May 9, 2014). Wilder had his first professional gig at age 19 and went on to play with some of the most popular big band orchestras of the day.

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Thu October 2, 2014
JazzSet with Dee Dee Bridgewater

JazzSet Signs Off

"It was part of a beautiful, long story," Dee Dee Bridgewater says of hosting JazzSet. "It has been a highlight of my career."
Courtesy of the artist

From outdoor festivals to concert halls in major cities, JazzSet was there, recording performances for a nationally-syndicated radio program. In this series finale, host Dee Dee Bridgewater and producer Becca Pulliam relive memories and musical highlights from the show's 23-year run.

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Tue September 30, 2014
World Cafe

Herb Alpert On World Cafe

Herb Alpert.
Chris Adjani Courtesy of the artist

For Herb Alpert, it all began in 1962 with a visit to a Tijuana bullfight. His first record, The Lonely Bull, drew inspiration from this experience, as he overdubbed his trumpet playing atop a recording of crowds and other ambient sounds. The album, which would become the first release on A&M Records, marked the beginning of Alpert's band, The Tijuana Brass.

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Fri September 26, 2014
Marian McPartland's Piano Jazz

Freddy Cole On Piano Jazz

Freddy Cole.
Courtesy of the artist

Pianist, composer, and vocalist Freddy Cole can take any song and bring out colors and nuances never heard before. As Nat King Cole's younger brother, he has developed his own style to showcase his familial vocal talents.

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Sun September 21, 2014
First Listen

First Listen: Kat Edmonson, 'The Big Picture'

Originally published on Wed October 1, 2014 10:35 am

Kat Edmonson's new album, The Big Picture, comes out Sept. 30.
Courtesy of the artist

A dozen years after Kat Edmonson was very briefly a contestant on American Idol, she still occasionally finds herself fielding questions about the experience from incredulous interviewers. If nothing else, the recurrence of the topic reflects how profoundly incompatible her style of pop expression is with Idol's bias toward blunt-force power balladry. You'll hear no belting from Edmonson; she deals in more intimate, exact gestures.

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