On this episode of Piano Jazz, Mulgrew Miller's unique harmonic and rhythmic style comes through in his composition, "Carousel." He also joins host Marian McPartland in performing Duke Ellington's "What Am I Here For?"
Mulgrew Miller died on May 29, 2013, following complications from a stroke.
This Piano Jazz episode from 1999 features one of today's preeminent jazz singers. Dianne Reeves brings her rhythmic virtuosity to a sparkling set of standards, including duets with host Marian McPartland on "Close Enough for Love" and "Softly, As in a Morning Sunrise."
Whenever photographer Chuck Stewart was hired by a record company to document a recording session, he would shoot during the rehearsal takes, playback and downtime. The company would take what it needed, the remainder likely never to be developed, much less published. After decades in the photography business, and thousands of album covers to his name, he's amassed a lot of negatives.
Of the young guitarists on New York's jazz scene, few are as highly tipped as Matthew Stevens. Best known for his role in Christian Scott's quintet, he's often drafted to execute the new visions of his peers, but also gets calls from veteran musicians like Terri Lyne Carrington and Dr. Lonnie Smith. Stevens also has a knack for writing and arranging, and will soon unveil his own debut recording as a bandleader.
The great bebop pianist Bud Powell played several engagements at the New York jazz club Birdland in 1953. Parts of his shows were broadcast on the radio, and one listener recorded some onto acetate discs. A new collection of those recordings is out now: Birdland 1953 on three CDs from ESP-Disk'. The sound quality isn't much, but the music is terrific.
Pianist and horn player Nadine Jansen got her start as a part of Horace Heidt's amateur show. Performing alongside The Clooney Sisters, Skitch Henderson and Tony Pastor, Jansen learned show business from the best entertainers around. She quickly made a name for herself on the nightclub circuit, particularly in clubs like New York's Capital Theatre and the Blue Note in Chicago.
Fifty years ago today, Andrew Hill recorded what would become his signature album: Point of Departure. Fifty years later, it still sounds like it could have been recorded yesterday. Assembling a murderer's row of horn players (Eric Dolphy, Kenny Dorham, Joe Henderson) with a rhythm section for the ages (Hill, Richard Davis, Tony Williams), Hill juxtaposed complex, layered harmonies with charged grooves. The result occupies that rare territory between the comfort of the familiar and the allure of the perceptibly unique.
Originally published on Wed March 26, 2014 10:40 am
This is a recording of a jazz trio playing the score to a 101-year-old ballet. It is not a "jazzing the classics" record or a "fantasia on the themes of" sort of project. It is a band translating one of the landmark works in music history to piano, bass and drum set, and doing it as literally as possible.
For a jazz trumpet player, you couldn't be more on top of the world than Ambrose Akinmusire. The 32-year-old is looking good on the cover of this month's DownBeat, and he's managed to please the jazz critics and connect with audiences.