I've been listening to two very good new albums led by drummers. After learning that both men are in their early 70s, I can't help but wonder how I process that fact in what I hear.
"Killer" Ray Appleton (b. 1941) and Barry Altschul (b. 1943) practice different styles. But they both came of musical age in the hard-bop era, spent many years living in Europe and eventually returned to New York. In other words, they've each got a lot of experience.
Originally published on Mon March 4, 2013 10:46 pm
Boston-based R&B singer-songwriter Jesse Dee has opened for concerts by soul legends Etta James and Al Green, among others. Released last month, his debut album On My Mind, In My Heart is an energetic collection of funky, feel-good grooves.
Many music lovers know Juan de Marcos González as the man who teamed up with guitarist Ry Cooder to create Buena Vista Social Club. But González was busy celebrating the history of Cuban music long before Cooder arrived on the scene.
Concurrently with the Buena Vista project, González was recording an album with his own band, The Afro-Cuban All Stars. The orchestra now contains expatriate Cuban musicians, young and old alike, from around the world.
Over the past few years, Take Five's theme-based jazz lists have covered a wide variety of subjects. We've covered the careers of legends, the cutting-edge work of up-and-coming artists, styles, periods, holidays, regional scenes and more. Today, Take Five goes "meta" and presents a list of songs about... lists.
The lyrical conceits of these five songs are simply to list things. And, of course, feel free to suggest your favorite songs about lists that weren't included here. ("What, no 'Route 66'? Really?")
Bryan Ferry says he only listens to 1920s jazz these days — and The Jazz Age, the new album from The Bryan Ferry Orchestra, backs up that claim. The Jazz Age finds Ferry doing a lot of listening, as he neither sings nor plays on the record.
Though originally from North Carolina, Christie Dashiell attended Howard University in Washington, D.C., and now studies with Peter Eldridge from New York Voices at Manhattan School of Music. No stranger to the Kennedy Center, she has participated in the Betty Carter's Jazz Ahead training program there, and sung with the a cappella choir Afro-Blue from Howard University.
Esperanza Spalding has often said that she hopes to use the fame from her 2011 Best New Artist Grammy to help give her friends and mentors in the jazz world the recognition they deserve. She got her chance earlier this month, when Spalding and her longtime teacher and mentor, trumpeter Thara Memory, accepted the Grammy for their arrangement of "City of Roses" from Spalding's 2012 album Radio Music Society.
The Harlem Renaissance of the 1920s inspired several black artists to explore their African heritage and the black experience in America, from enslavement to life after emancipation and migration to cities in the north. In the musical world, pianist James P. Johnson composed Yamekraw: A Negro Rhapsody, a 12-minute portrait of a black community in Savannah, Ga. Yamekraw was orchestrated for a 1928 performance at Carnegie Hall by black composer William Grant Still, who would write his own Afro American Symphony in 1930.