Bassist Todd Sickafoose is heard often in two cities — his native San Francisco Bay Area and his adopted New York City. Ani DiFranco fans know his sound, too, as he worked with the singer-songwriter for the better part of a decade. In 2008, he released Tiny Resistors, a lushly textured record that put him on the map as a composer and bandleader. Swamped in horns and violin and twin guitars and rock rhythms, Tiny Resistors the band has become an expansive compositional outlet for Sickafoose.
If you ask saxophonist Charles Lloyd about his career in music, he'd start many decades ago, in the Memphis where he grew up and the Mississippi of his grandfather's farm. The South is where he absorbed the blues, picked up a saxophone and met the all-time great musicians who would shape his future course.
Originally published on Fri October 11, 2013 4:18 pm
As a child, singer Catherine Russell bounced on the knee of Louis Armstrong. Her father, Luis Russell, held the position of musical director for Armstrong, and her mother, Carline Ray, was trained at Juilliard and the Manhattan School of Music. It was only natural that Russell would choose a musical path for her own life.
Stacy Rowles once wrote a note to her father, pianist and composer Jimmy Rowles, stating: "Dear Dad, if you buy me a flugelhorn, I'll play the [expletive] out of it." Indeed she did, and she picked up singing, as well. A longtime mainstay on the Los Angeles jazz scene, Rowles worked with the all-female quintet the Jazzbirds, led by the late multi-instrumentalist Betty O'Hara, as well as the Jazz Tap Ensemble and the DIVA Big Band.
Gregory Porter's new album, Liquid Spirit, is out this week from Blue Note. Porter is making his career in a time-tested way. With two Grammy-nominated albums from a small label named Motema Music and a lot of touring — international touring — now he's gotten himself signed to a major labor.
On this JazzSet, Porter's singing at the annual Strings of Autumn International Music Festival in Prague. The Czech audience loves him! Applause between songs is running a minute or more.
I've been listening to two very good new albums led by drummers. After learning that both men are in their early 70s, I can't help but wonder how I process that fact in what I hear.
"Killer" Ray Appleton (b. 1941) and Barry Altschul (b. 1943) practice different styles. But they both came of musical age in the hard-bop era, spent many years living in Europe and eventually returned to New York. In other words, they've each got a lot of experience.