Originally published on Sun October 7, 2012 4:58 pm
Credit Courtesy of the artist
Born in Tel Aviv, Anat Cohen came to New York two decades ago to study the masters of jazz. In so doing, the clarinetist and saxophonist started a bit of a stampede: Today, Israel is exporting some of the most vital jazz out there.
Django Reinhardt has achieved an almost godlike status among those who love jazz guitar. When he and violinist Stephane Grappelli formed the Quintet of the Hot Club of France in 1934, they created a new sound in jazz: The guitar and violin served as the lead instrumental voices, propelled by two hard-swinging rhythm guitars and a bass.
Originally published on Fri October 5, 2012 1:52 pm
By Patrick Jarenwattananon
Credit Ethan Miller / Getty Images
Happy long weekend.
Whither smooth jazz? Though straight-ahead and experimental fans might assume their, uh, less bumpy cousin is weathering the storm, the loss of many radio stations is affecting the field a lot. David Adler talks to many musicians and industry insiders for JazzTimes. That includes Kenny G, who is identified on subsequent reference as "G," in a sidebar.
Originally published on Thu August 1, 2013 3:01 pm
By Mark Schramm
Credit Courtesy of the artist
From their spirited night of Chick Corea music alone, it's clear how Renee Rosnes and Bill Charlap love to play amongst horns and a rhythm section. Yet when they face each other at two pianos, with a wink and a nod, they do it all themselves.
Now on JazzSet, it's Rosnes on the left, Charlap on the right and — in Charlap's words — "a unique sound that is the sum of both of us."
Originally published on Thu October 4, 2012 3:26 pm
By Ann Powers
Credit Mark Seliger / Courtesy of the artist
When listening to Diana Krall's fun, smart new recording Glad Rag Doll, it's helpful to consider a question recently posed by Gyp Rosetti, the sensitive psychopath lending sparks to this season of HBO's Prohibition-era series Boardwalk Empire.
Guitarist Ernest Ranglin is an elder statesman of Jamaican music. A self-styled composer and improviser, he has traveled and collaborated widely during his 80 years. In California last year, he teamed up with three much younger musicians from South Africa, the U.S. and Israel. The four musicians bonded and quickly recorded an album, named for the San Francisco street where they rehearsed: Avila.
Pianist Cyrus Chestnut took his time making a name for himself on the jazz scene: For a decade starting in the mid-1980s, he apprenticed as pianist for Jon Hendricks, Betty Carter, Donald Harrison and Wynton Marsalis. But since then, he's toured the world and recorded 15 albums as a bandleader.
In this performance and interview, Cyrus describes his gospel roots and his discovery of jazz, and discusses how he approaches interpreting other composers' music.
For all the plot development in the series' infancy, last Sunday's episode of Treme was unusually saturated in live performances. The second half of the episode, especially, seemed like one concert after another. Here with me to recap the musical goings-on is WBGO's Josh Jackson.