Pianist Randy Weston recently returned to Piano Jazz for a new session with host Marian McPartland. Weston got his start playing with Eddie "Cleanhead" Vinson and Kenny Dorham in the late 1940s and '50s, and won New Star Pianist in the 1955 Downbeat poll. By the end of that decade, Weston was inspired by the burgeoning civil rights movement in the U.S. and the independence movement among African nations.
Originally published on Thu February 6, 2014 3:33 pm
By Becca Pulliam
Jason Moran (left), Alicia Hall Moran (center), The Bandwagon and Bill Frisell (right) perform at the KC Jazz Club.
Credit Scott Suchman / Courtesy of the Kennedy Center
The Philadelphia Museum of Art recently commissioned Jason Moran to write music in conjunction with its exhibition of quilts made by a remarkable group of African-American women in a small rural community on a bend in the Alabama River.
Clarinetist Anat Cohen is one of a handful of Israeli jazz musicians making a mark on the American jazz scene. She's been voted Clarinetist of the Year six years in a row by the Jazz Journalists Association, and her most recent album, Claroscuro, showcases the range of her talents and musical influences, from New Orleans-style jazz to Israel to Latin music — particularly that of Brazil.
Cohen says that the clarinet's somewhat old-fashioned reputation may be the result of the very thing that attracts her to the instrument.
Originally published on Wed February 6, 2013 3:44 pm
By Angelika Beener
Marcus Gilmore (left) and Roy Haynes perform together in Washington, D.C., in 2009. Haynes' daughter is Gilmore's mother.
Credit Theo Wargo / Getty Images
The drummer Marcus Gilmore is coming off a major year in his career. In 2012, DownBeat magazine named him its top Rising Star Drummer in its long-running Critics Poll; pianist Vijay Iyer's trio, of which Gilmore is a member, also took the Jazz Album and Jazz Group of the Year categories.
Credit Brantley Gutierrez / Courtesy of the artist
The New York Times writer Jon Pareles called Lionel Loueke "the gentle virtuoso" for the engaging way Loueke melds African guitar traditions with jazz harmony. Loueke gets African-style rhythms going, tapping on his guitar and using his effects pedals. He sings and harmonizes with his own voice.