Pianist and singer Barbara Carroll is an old and dear friend of Piano Jazz host Marian McPartland. In fact, Carroll was the second ever guest to appear on Piano Jazz when the show began 30 years ago. Carroll recalls 1979 as a banner year for her, as well — it's the same year she started what became a 25 year run performing at Bemelman's Bar, at the Carlyle Hotel in Manhattan.
When Duke Ellington received the news that Billy Strayhorn, his songwriting and arranging partner of 28 years, had died, Ellington reportedly cried and told a friend, "No, I'm not all right! Nothing is going to be all right now."
Singer Sarah Vaughan came up in the 1940s alongside bebop lions Dizzy Gillespie and Charlie Parker, starting out in Earl Hines' big band. Hines had hired her as his singer and deputy pianist, while Gillespie praised her fine ear for chords as she grasped the arcane refinements of bebop harmony.
Rudresh Mahanthappa creates an explosive blend of South Indian classical music and progressive jazz. A Guggenheim Fellow who's been named the Jazz Journalists Association's "Alto Saxophonist of the Year" for four years running, Mahanthappa makes innovative music that reflects his experience as a second-generation Indian-American. He shares his fascinating style and story on this episode of Piano Jazz.
"He didn't have the same chops and virtuosic approach like Benny Goodman or Artie Shaw, but he told a deep story," says Lovano, who played with Herman early in his career. "He was a blues player from his heart, and really had a beautiful voice on alto saxophone."
As a child in Bogotá, Edmar Castañeda and his sister took folk dance classes. Their mother made sure of that. Castañeda liked the dancing, but he really liked the live harp accompaniment. In Spanish, the harp is called the llanero. It's Colombian, not a classical harp.