Originally published on Thu September 26, 2013 2:00 pm
By Becca Pulliam
Credit Phil Farnsworth / Berklee College of Music
Money Jungle has a story.One day in 1962, Duke Ellington, Charles Mingus and Max Roach recorded an album and gave it that provocative title. The repertoire was new blues by Ellington, who was in his 60s, while Roach and Mingus were each about 40.
The bebop innovator Dizzy Gillespie on 52nd Street in New York, which was filled with small jazz clubs in the 1940s.
Credit William Gottlieb / The Library of Congress
This week — when many of us at NPR rushed to file our U.S. federal income-tax returns, then moved to a new headquarters — I'm reminded of a moment in jazz history. Namely, the mid-1940s, when a new style called bebop came into popularity.
Originally published on Sat April 13, 2013 1:51 pm
Credit Courtesy of the artist
Pianist and 2010 Grammy winner Laurence Hobgood was born in Salisbury, N.C., and grew up in Texas and Illinois. He took up piano at age 6 and showed a knack for improvisation early on, playing his own versions of pieces by Bach and Chopin. In 1988, Hobgood relocated to Chicago, where he met an up-and-coming vocalist named Kurt Elling.
On this episode of Piano Jazz, pianist and 2013 NEA Jazz Master Eddie Palmieri brings along bassist Hugo Duran and percussionists Jose Claussell, Richie Flores, and Mark Quinones for a raucous set of original tunes with an Afro-Caribbean flavor.
By 1928, Earl Hines was jazz's most revolutionary pianist, for two good reasons. His right hand played lines in bright, clear octaves that could cut through a band. His left hand had a mind of its own. Hines could play fast stride and boogie bass patterns, but then his southpaw would go rogue — it'd seem to step out of the picture altogether, only to slide back just in time.
Originally published on Mon November 25, 2013 10:11 am
Mauro Ottolini at the Umbria Jazz Festival.
Credit Courtesy of the Umbria Jazz Festival
The Umbria Festival in Italy turns 40 this summer. Umbria presents jazz indoors and out in two historic cities — Perugia in summer, Orvieto in winter. Marching bands parade; gospel choirs sing. Concerts start at noon, midnight and all the hours in between. (The New Year's Eve show in Orvieto begins at 1 a.m. on New Year's Day.) And the musicians can be delightfully unfamiliar, at least to American ears.
A group of musicians and major donors pose with Lionel Hampton's vibraphone at the 2013 Jazz Appreciation Month launch. From left: Mark Dibner of The Argus Fund, drummer Horacio "El Negro" Hernandez, Fran Morris Rosman of the Ella Fitzgerald Charitable Foundation, pianist Randy Weston, Richard Rosman of the Ella Fitzgerald foundation and Smithsonian American History Museum Director John Gray.
Credit Patrick Jarenwattananon / NPR
The 12th official Jazz Appreciation Month began when April did. But today, the Smithsonian Museum of American History, which founded the JAM campaign, kick started its own celebration with a series of performances, discussions and ceremonies.