Comparisons have always helped me appreciate jazz. An artist plays a tune fast; another does it as a ballad. A trumpeter finishes his solo, and a saxophonist takes that closing phrase and morphs it in a different direction. A musician revisits a composition years later with a new arrangement and ensemble. Aligned side by side, you get a good sense of why jazz is a music of individual style, and of gradual accretion, and of friendly "Oh, yeah, watch this" motivation.
On this episode of Piano Jazz With Jon Weber, velvet-voiced singer, guitarist and composer Allan Harris joins Weber for a set of standards and a few tunes from the Harris-penned musical, Cross That River.
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You don't really listen to an Omar Sosa concert so much as experience it. The Cuban-born pianist's overall demeanor exudes a sense of calm and deep reflection, while a spiritual connection to music and his ancestors comes through in his piano playing.
The percussionist and bandleader Tito Puente would have celebrated his 90th birthday this weekend on April 20. And the recently released box set Quatro: The Definitive Collection is a great place to start celebrating the once and forever King of Latin Music. It captures the driving sound of big band mambo and cha-cha-cha that launched people onto dance floors for decades.
Originally published on Sat April 20, 2013 10:09 am
"In a way, I use music like we use the Internet," Bette Midler says. "One link brings you to another link, and from that link you move onto another.
Credit Courtesy of the artist
The Divine Miss M — singer, actress and comedian Bette Midler — is Song Travels host Michael Feinstein's guest for an hour of pure radio fun. Midler opens a crate of favorite tunes from her record collection, from Louis Jordan to vintage Hawaiian music to Destiny's Child, along with stories from her multifaceted career.
Here, Feinstein presents her with a solo arrangement of "And I'll Be There," a song written for her by the legendary songwriting team of Alan and Marilyn Bergman.
On this Piano Jazz from 2008, bassist and singer Esperanza Spalding brings her neo-soul style to a set of standards with the aid of pianist Leo Genovese. Spalding is one of the most talked about artists in jazz today.
Symphony Sid Torin (left) hosts a program at WHOM featuring the saxophonist Arnett Cobb.
Credit William Gottlieb / The Library of Congress
The advent of bebop added a fresh sound to American music. It also added new voices to some metropolitan radio stations: the late-night jazz DJs who specialized in presenting this new music to their fellow hipster nightflies.
To recognize the work of the groundbreaking DJs who lent them critical exposure, jazz musicians of the period would occasionally write songs in their honor. Here are five of those songs.