Professing love for Bob James' music can yield a side-eye in some circles. Jazz purists routinely view the keyboardist's 1970s period as a progenitor to smooth jazz â€” an idiom they frequently react to as if it were a sign of the apocalypse.
In New Orleans, it's cool to be in the high school band â€” especially when Trombone Shorty shows up in the band room.
The brass player and bandleader recently paid a visit to New Orleans' Warren Easton High School to work with band members. It's part of his work with the Trombone Shorty Foundation, a music education initiative.
"[Trombone Shorty] is, without a doubt, the role model for the next generation right now," says Bill Taylor, the foundation's executive director.
Jazz pianist Ahmad Jamal started playing when he was 3 years old in Pittsburgh, which means he's now been playing for 80 years. His new album, Saturday Morning, often recalls his elegant trios of yesteryear, with its tightly synchronized arrangements, plenty of open space and deceptively simple charm.
On this episode of Piano Jazz, vocalist and multi-instrumentalist Carline Ray is Marian McPartland's guest for a session recorded in 1997. The two veteran performers get together to perform a set including tunes by Duke Ellington, the Gershwins, Jimmy Van Heusen & Johnny Burke, and more.
Originally published on Fri June 20, 2014 10:09 am
This episode of JazzSet was recorded at the 18th edition of the Mary Lou Williams Women in Jazz Festival at the Kennedy Center in Washington, D.C. Dee Dee Bridgewater is the emcee, while WBGO's Rhonda Hamilton serves as our co-host.
Since playing on John Coltrane's first release in 1957, drummer Albert "Tootie" Heath has participated in a number of landmark jazz records. Now 78, the musician is featured in a new trio session with players nearly half his age â€” pianist Ethan Iverson of The Bad Plus and bassist Ben Street.
Like a piece of gym equipment that always yields a great workout, most musicians have favorite tunes. For saxophonist Ravi Coltrane, "Who Wants Ice Cream" by trumpeter Ralph Alessi has proven especially fertile, drawing him back again and again since he recorded it as part of the album Spirit Fiction.