Toward the end of every year, NPR Music invites some of the world's best jazz keyboard players to the John F. Kennedy Center for the Performing Arts. We ask them to take on some of their favorite Christmas tunes, solo, and the recording becomes the public radio special A Jazz Piano Christmas.
The Jazz Institute of Chicago and the city's Park District teamed up in December 2012 to present this free family concert with Dee Alexander. As we air it on JazzSet a year later,Alexander is just back from performing the show in Poland where, she writes, "everyone was on their feet."
Originally published on Thu January 23, 2014 11:15 am
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Drummer Chick Webb's 1930s orchestra terrorized competitors in band battles and sent dancers into orbit at Harlem's Savoy Ballroom. They could be similarly explosive on record, but only rarely. Early on, they did have some hot Edgar Sampson arrangements that Benny Goodman would soon turn into hits, like "Blue Lou" and "Don't Be That Way." But the Webb band also had an old-school crooner, Charles Linton, with pre-jazz-age enunciation.
Originally published on Tue December 10, 2013 2:04 pm
By Lara Pellegrinelli
If the apple doesn't fall far from the tree, sometimes two apples will land on similar turf. Brian Blade has been Wayne Shorter's drummer for several years and leads his own project called The Fellowship Band. His older brother Brady Blade is perhaps best known for his drumming with Emmylou Harris and is an all-around music industry mover and shaker.
For this 2006 episode of Piano Jazz, trumpeter Ellen Seeling brought her longtime collaborator and the assistant director of the Montclair Women's Big Band, saxophonist Jean Fineberg, as well as New York drummer Allison Miller.
Steve Lacy used to say that the right partner can help you make music you couldn't get to by yourself. Take the quartet William Parker founded in 2000, for example. Parker's bass tone was always sturdy as a tree trunk, but power drummer Hamid Drake gives him lift. The upshot is that free jazz can swing, too. The quartet's front line is another firm partnership: quicksilver alto saxophonist Rob Brown and flinty trumpeter Lewis Barnes.
Many jazz musicians write music here and there, but it's still a leap for someone to go from "writing tunes" to taking pride in the art of composition. The alto saxophonist Patrick Cornelius, based in New York for a decade now, is headed that way. After releasing his fourth album, Infinite Blue, earlier this year, he's now set to premiere a new set of compositions for jazz octet. While We're Still Young is a suite based on the illustrated book of children's poems When We Were Very Young, by Winnie-The-Pooh creator A.A.