On this Piano Jazz from 2008, Eliane Elias performs a set of tunes distinctly dedicated to the music of the late Bill Evans. She performs Evans' tunes "For Nanette," "I Love My Wife," and "B Minor Waltz," and duets with Marian McPartland on two early Bill Evans favorites: "Autumn Leaves" and "Alone Together."
Originally published on Thu October 3, 2013 1:03 pm
After releasing his latest album, last year's Spirit Fiction, saxophonist Ravi Coltrane put his decade-old quartet on hiatus, and has now assembled a new group. Had John Coltrane lived to see his son grow up, he might have told Ravi about how his own "classic quartet" broke up; he'd begun to incorporate new voices (including Ravi's mother Alice Coltrane) by the time his new band recorded live at the Village Vanguard in 1966.
In Henry Dumas' short story "Will the Circle Be Unbroken?"three"afro-horns" have been forged from a rare metal found only in Africa and South America. One rests in a European museum; a second one is believed to be somewhere on the west coast of Mexico among a tribe of Indians; and a third is owned by Probe, a jazz musician. When Probe finally plays the afro-horn in public, the sound is devastatingly powerful.
Originally published on Fri September 20, 2013 11:06 am
Jessye Norman's commanding soprano voice makes her the quintessential operatic diva for many listeners. But she frequently draws inspirations from jazz: She ranks singers like Billie Holiday, Mabel Mercer and Sarah Vaughan high on her list of influences.
At a ceremony and concert last night in Washington, D.C., the Thelonious Monk Institute of Jazz named Melissa Aldana, 24, the winner of its annual competition for young musicians. The highest-profile event of its kind, this year's competition was open to saxophonists.
Jazz pianist Art Hodes, born in Russia in 1904, grew up near Chicago. His recording career really took off in the 1940s in New York, where he also hosted a radio show and wrote for the magazine The Jazz Record. Later, he moved back to Chicago and the atmosphere that nurtured him.
Latin jazz works best when the musicians involved are as fluent in Afro-Cuban rhythms as they are in the deep grooves and advanced harmonics of bebop. Arturo O'Farrill has that pedigree in his DNA: His father, Chico O'Farrill, was part of a groundbreaking group of musicians who created the mash-up of Afro-Cuban music and jazz back in late-'40s New York.