Jazz

In the early 1980s, when a young sixth-grader in Colorado first heard Charlie Parker, his life was transformed. Now a world-class saxophonist, Rudresh Mahanthappa is paying homage to Parker with his new album, Bird Calls. Mahanthappa says it's a tribute to Charlie Parker — but there are no Charlie Parker songs here.

Joe Sample On Piano Jazz

Feb 6, 2015

Pianist and composer Joe Sample (1939-2014) began studying his instrument at age 5 and was exposed to a variety of musical traditions as a child. While still in high school in the late 1950s, he formed The Jazz Crusaders, a band he kept together for much of his professional life. On this episode of Piano Jazz from 2005, Sample and Marian McPartland team up for "I've Got Rhythm," and Sample solos in his original tune "Carmel."

Originally broadcast in the fall of 2005.

Set List

Eric Reed Plays Coleman Hawkins

Feb 5, 2015

His instrument is now synonymous with jazz, but Coleman Hawkins was the first to carve out a place for the tenor saxophone in the music. A burly-toned player with an advanced harmonic understanding, Hawkins was not only a titan of early jazz, but also a progenitor of developments to come.

Eric Reed, one of the standout pianists of his own generation, came to Jazz at Lincoln Center last November to celebrate the 110th birthday anniversary of Coleman Hawkins. Jazz Night In America visits Dizzy's Club Coca-Cola to take in a special set led by the hard-swinging Reed.

The Washington, D.C. area trombonist Reginald Cyntje speaks English with an accent — it's a patois from the U.S. Virgin Islands, where he grew up. He also plays jazz with a Caribbean accent, where hard bop vocabulary meets reggae and calypso rhythms. His group draws from a rich regional talent pool of undersung talent, including two men — childhood friend and drummer Amin Gumbs and steel drum bebop master Victor Provost — who also hail from the Islands.

Danilo Pérez On Piano Jazz

Jan 30, 2015

Panamanian pianist Danilo Perez worked with Dizzy Gillespie and his United Nations Orchestra, from whom he absorbed bebop and pre-bop styles. But Gillespie also impressed upon Perez the importance of getting to the roots of his own heritage, and Perez began creating music that seeks connection and defies boundaries. In this Piano Jazz session from 1994, he demonstrated his fresh ideas in his original composition "Reminisce."

Our Point Of View: A Blue Note Supergroup

Jan 29, 2015

Blue Note Records made its name on names: Sonny Clark, Lee Morgan, Hank Mobley, Grant Green, Paul Chambers, Tony Williams, and many more who have etched their marks on jazz history. For its 75th anniversary, the label gathered together a new crop of artists — those pushing the label forward now — and sent them on tour together, performing each others' compositions.

In the 1970s, when Diana Krall was growing up, children and young adolescents regularly encountered very adult music on Top 40 radio. These songs were different from the sexually explicit playground rhymes so common in mainstream music today.

Gary Burton On Piano Jazz

Jan 23, 2015

On this episode of Piano Jazz, innovative vibraphonist Gary Burton stops by the program to perform a set of tunes by Antonio Carlos Jobim, Duke Ellington, Rodgers & Hart and more.

When Henry Met Steven

Jan 22, 2015

In 1984, when a young Steven Bernstein first encountered the blind virtuoso New Orleans pianist and singer Henry Butler, he was astonished. "This is it," he recalls thinking. "This is like the music that I always imagined. Everything you ever loved about music, all being in one place. But now it's all coming from one person." Nearly two decades later, Butler and Bernstein finally had the chance to collaborate when they were booked for a run together at New York's Jazz Standard.

Pages