Buckwheat Zydeco On Mountain Stage

May 11, 2015

Buckwheat Zydeco returns to Mountain Stage, recorded live at West Virginia's Culture Center Theater. The artist, born Stanley Dural Jr., has spent more than 30 years as the chief ambassador for one of Louisiana's most distinctive musical products.

Eric Bibb On Mountain Stage

May 4, 2015

Acoustic blues master Eric Bibb makes his fifth visit to Mountain Stage, recorded live at the Culture Center Theater on West Virginia's State Capitol grounds.

Sinkane On World Cafe

Mar 3, 2015

There's something entrancing about the electro-funk of Sinkane. The Brooklyn band is led by Ahmed Gallab, who spent time in Sudan as a child before moving around the U.S.

Sinkane subtly incorporates East African sounds, complete with a loping repetition of lyrics and musical phrases. Last year, the band released its third album, Mean Love, and it's the most concise and poppy Sinkane record yet.

The story of Huddie "Lead Belly" Ledbetter reads like a parody of the brutal bluesman biography: Kill a man, go to prison — twice — then appeal for a pardon in a song. According to the legend, Lead Belly's undeniable talent convinced Texas Governor Pat Neff to let him go.

Deacon John does it all. The veteran New Orleans bandleader plays weddings, birthdays, proms, debutante parties. He holds his own at Jazz Fest and at carnival balls. He'll play 1950s R&B, rock, jazz, gospel, soul and disco — whatever the people want to hear. But when it's up to him, he chooses the blues.

The story of Paramount Records is a story of contradictions. It was a record label founded by a furniture company, a commercial enterprise that became arguably the most comprehensive chronicler of African American music in the early 20th century. And yet, for Paramount's executives, music was an afterthought.

Janiva Magness On Mountain Stage

Dec 11, 2014

Janiva Magness appears on Mountain Stage, recorded live in Charleston, W.Va. One of blues music's most decorated vocalists, Magness drew her earliest musical inspirations from the sounds of her native Detroit and her father's record collection. After losing both her parents, Magness spent her teen years in foster homes, and eventually found her way to an Otis Rush concert in Minneapolis. Her job as a recording engineer in St. Paul led to session work as a background singer, and before long, she was leading her own band.

In the history of American popular music, gospel is the great conveyor. People could hear it everywhere as the 20th century grew from infancy to adolescence: in churches, of course, but also on street corners, sung by wanderers whose guitar work and moaning vocals arose in dialogue with the blues; in factories and mines, where harmonizing quartets provided balm to frustrated workers; on the radio, where preachers and singers performed live to thousands of listeners; and through the new medium of recordings, which turned regional styles into national trends.