Just about everything clicks in director Ira Sachs' quietly eloquent Love is Strange, except the title. The longtime romance of painter Ben (John Lithgow) and music teacher George (Alfred Molina) doesn't seem at all odd. The men's lives, however, do take a sudden turn away from the ordinary.
The story begins in a mysterious flurry of morning activity that's soon explained. After Ben and George's nearly four decades together, same-sex marriage has become legal in New York, and the men have decided to take what hardly seems a plunge.
Before Charlie McDowell's fantastical debut feature The One I Love descends completely down the rabbit hole, it begins with a more everyday kind of dream. Ethan (Mark Duplass), trying to rekindle the romance in his failing marriage to Sophie (Elisabeth Moss), hopes that one magic night might do the trick. To celebrate their anniversary, he gets Sophie to re-create the night the two met, when they sneaked into a stranger's backyard to swim in their pool, only to be caught by the homeowner.
This week we've been exploring the question of diversity in the publishing industry.
From the classrooms of M.F.A. writing programs to the corporate offices of the big Manhattan publishers, NPR's Lynn Neary has reported on why there is an absence of people of color across the industry. Publishers agree that as the country's readers become more diverse, reflecting a diverse readership is increasingly becoming smart business for those who make and sell books.
[This piece contains plot details from Let's Be Cops. It is not a movie about its plot details, but there you have it.]
The word is out on the buddy comedy Let's Be Cops, starring Damon Wayans Jr. and Jake Johnson — both enormously charming actors on Fox's New Girl. And what is the word? That the movie is not good, and the movie is rather atrociously timed, given that we are not in a place in the news cycle where people are enormously amused by stories about goofball police officers threatening people with nonfunctioning guns.
Originally published on Fri August 22, 2014 9:45 am
Brian Goldman is an emergency room physician who has worked at Mount Sinai Hospital in downtown Toronto for more than 20 years. He's also a prominent medical journalist and the host of CBC Radio's White Coat, Black Art. He says every doctor makes mistakes but medicine's culture of denial keeps doctors from talking about and learning from those mistakes.
A father takes his three sons to a hypnotist's show. Called onto the stage, the father's cool self-possession and confidence seem to prevail, and he walks away, claiming no effect. They leave the show, he drops his sons off and drives away. We learn later that he has taken his passport and emptied the family bank account. The boys will not see him again until they are adults.