Originally published on Wed January 21, 2015 3:03 pm
By Tomas Hachard
The B-Side, Ben Yagoda's cultural history of Tin Pan Alley and the American Songbook, begins near the end of its story. In 1954, Arthur Schwartz, the co-writer of standards like "I Guess I'll Have to Change My Plan," is at the Columbia Records building in Manhattan, waiting to present Mitch Miller, Columbia's head of popular music, with some possible songs.
Originally published on Wed January 21, 2015 2:14 pm
By Etelka Lehoczky
Do you love your father? How do you love him? Is your affection spontaneous, dutiful, rote, wry, overflowing, ambivalent or simply unexamined? When you consider these questions — or decline to do so, thank you very much — consider also Nina Bunjevac's drawing style.
Broadway is New York's biggest tourist attraction and brought in $1.3 billion in ticket sales last season. But it's also a high-stakes gamble for producers, since only 1 in 4 Broadway shows turns a profit. This month, two of the fall's most highly anticipated musicals, a revival of Side Show and The Last Ship, with songs by Sting, have thrown in the towel — closing, having lost almost their entire investments.
In an extraordinary feat of literary ventriloquism, the widely praised Canadian nonfiction writer John Vaillant has produced a novel that seems to have leapt from the headlines. Called The Jaguar's Children, it's about the terrible dangers of illegally crossing the U.S.-Mexico border, and the lives of those who dare to try it.
It's perhaps not surprising that the strongest part of The Nightly Show with Larry Wilmore on its debut Monday was the part that looked the most like The Daily Show and The Colbert Report, with which it shares considerable DNA. Wilmore opened with an observation that the Oscar nominations are "so white a grand jury decided not to indict them," acknowledged Selma and said the words "Eric Garner" and "Ferguson" in the teaser before the show open even rolled. (What was on Colbert's show the "pre-eagle" moment.)
Originally published on Tue January 20, 2015 12:01 pm
By Jason Heller
Bullying has become a hot-button issue in recent years, a fact that Allen Kurzweil hasn't overlooked in Whipping Boy. It's his first volume of nonfiction, and the premise is as ripped-from-the-headlines as they come: Forty years after suffering the vicious abuse of a bully in school, Kurzweil has written an account of his decades-long search for Cesar Augustus Viana, the boy who tormented him.
Cartoonist and theorist Scott McCloud is sometimes called the "Aristotle of Comics" because of his three landmark nonfiction works: Understanding Comics, Reinventing Comics and Making Comics. He's a man who's spent a lot of time thinking about making art — and that's reflected in The Sculptor, his first full-length graphic novel.
Welcome to the first session of the Morning Edition Readsbook club! Here's how it works: A well-known writer will pick a book he or she loved. We'll all read it. Then, you'll send us your questions about the book. About a month later, we'll reconvene to talk about the book with the author and the writer who picked it.