Originally published on Wed December 19, 2012 11:39 am
My family's holiday traditions are simple but consistent: Wake up Christmas morning, drink lots of coffee, eat a good breakfast, and wish each other happy happy. If the weather is nice, we postpone the present opening and pile into the car to head directly to the beach for a walk — a sunny December day along the Northern California coast is something to celebrate. Later, we cook a delicious dinner and sit around the table with a fire glowing in the fireplace nearby.
With the screen pitch-black at the start of Zero Dark Thirty, we hear the confusion and alarm of Sept. 11, 2001: News reports that a plane has hit the World Trade Center, then the voices of a 911 operator reassuring a frightened trade center worker that she'll be OK, though she won't.
When the screen finally brightens, it's for a grim "black site" interrogation half a world away — a nephew of Osama bin Laden (Reda Kateb) strung up from the ceiling, bruised and bloodied, finally cut down only so that he can be waterboarded and stuffed into a tiny crate.
We know from the outset that there's a death coming in Michael Haneke's Amour, a magisterial study of mortality that carried off the Palme d'Or at this year's Cannes Film Festival — and currently tops best-picture lists all over the world. But when we first meet Anne (Emmanuelle Riva) and Georges (Jean-Louis Trintignant), retired Paris music teachers in their 80s, they're in the pink and enjoying a piano recital given by one of Anne's former pupils.
When Christoph Waltz auditioned for the role of SS officer Hans Landa in Quentin Tarantino's 2009 film Inglourious Basterds, he read the passage assigned for the audition, then kept going until he had gone through the entire role as Tarantino himself filled in for the other parts.
"It was partly hilarious, partly just fabulous, partly scary," Waltz tells Fresh Air's Terry Gross. "And we arrived at the end and then we parted and I said to the casting director, 'If this should have been it, it was definitely worth it,' and, well, then they called me back."
You may remember Danica McKellar as Winnie Cooper in The Wonder Years. Today, the actress is also a math advocate and the author of Girls Get Curves: Geometry Takes Shape. In Tell Me More's 'In Your Ear' series, McKellar talks about the songs that helped her beat stress as a teen and inspire her as an adult.
Originally published on Tue December 18, 2012 1:23 pm
By David Schultz
Just as there are purebred dogs and purebred horses, there is also purebred poultry. Since its founding in 1877, the Poultry Club of Great Britain has been the main organization in the U.K. dedicated to safeguarding "all pure and traditional breeds" of chicken, ducks, geese and turkey.
My favorite "best of the year" list is the Bad Sex in Fiction award, even — or perhaps because — it eschews the romance genre. This year's winner was just announced: Nancy Huston's Infrared, whose heroine celebrates the "countless treasures between [her] legs." But I'm not writing a Best Romance of the Year list, because I don't think the idea even works for my genre.
American service members have long spent holidays in dangerous places, far from family. These days, home is a video chat or Skype call away. But during World War II, packages, letters and radio programs bridged the lonely gaps. For 15 minutes every week, "Canteen Girl" Phyllis Jeanne Creore spoke and sang to the troops and their loved ones on NBC radio.