Provincetown, at the far tip of Cape Cod, would seem a perfect place to spend a summer day. In the books of author Jon Loomis, Provincetown is also the setting for mystery and murder. In our Crime in the City series, NPR's Linda Wertheimer takes us to "P-town," where she met Loomis a few years back.
South African poet Mbali Vilakazi is also a performer and radio producer based in Cape Town. Vilakazi's poem pays tribute to South African swimmer Natalie du Toit, the first female amputee ever to qualify for the Olympic Games.
Originally published on Thu August 2, 2012 7:53 pm
Director Anthony Baxter (left) with Michael Forbes, whose property borders Donald Trump's contentious luxury golf resort. The fight over the resort is the focus of Baxter's documentary <em>You've Been Trumped</em>.
Credit International Film Circuit
In the red corner, a leering Donald Trump, brandishing plans to build a luxury golf resort on one of Britain's last remaining wilderness areas. In the blue, a small group of dignified local homeowners trying to stop him. The setup is a documentary filmmaker's dream, and Anthony Baxter's You've Been Trumped fully exploits the conflict's inherent gifts — including Mr. Trump's incautious mouth — with the kind of gleeful umbrage popularized by Michael Moore and eaten up by audiences.
Originally published on Thu August 2, 2012 7:05 pm
Polish sushi chef Marcin Korzeniewski in <em>Sushi: The Global Catch</em>, a documentary that looks at the environmental repercussions of sushi's increasing worldwide popularity.
Credit Kino Lorber
Sushi: The Global Catch, a shrewdly constructed documentary on the challenges of the modern sushi industry, functions like a densely packed information delivery system — heavy on content, spare on style. Yet it offers a few striking images that speak for themselves: a commercial fishing vessel netting thousands of pounds of bluefin tuna, buyers for clients all over the world inspecting hundreds of tuna laid out in Tokyo's Tsukiji Market, a statue in the small fishing town of Oma depicting a large bluefin rising from the waves and, opposite, a pair of fists advancing to meet it.
Doug Quaid (Colin Farrell) visits Rekall, a company that implants memories in its customers, in an attempt to explain a series of recurring dreams. Farrell plays the role originally portrayed by Arnold Schwarzenegger in the 1990 film of the same name.
Credit Michael Gibson / Columbia Pictures
Set in a high-tech yet shabby future, the remake of Total Recall is a fully realized piece of production design. But its script, credited to six authors, is more like a preliminary sketch.
Directed by Underworld franchise veteran Len Wiseman, the movie retains some elements of Paul Verhoeven's friskier (and more graphically violent) 1990 original. Yet it also makes lots of changes, notably by downplaying the brain-bending aspects of the scenario in favor of thought-free action. (Also, it never leaves a devastated Earth for Mars.)
Michael (Jude Law) and Rose (Rachel Weisz) are two of the many characters in <em>360</em>, a film about interconnected European lives from the director of <em>City of God</em> and <em>The Constant Gardener</em>.
Credit Phil Fisk / Magnolia Pictures
For all the glum punditry about our brave new world of connected disconnection, there are endless possibilities for free play — though you'd never know it from the sorry crew of malcontents in 360, an ambitious post-millennial take on Arthur Schnitzler's La Ronde.
Originally published on Thu August 2, 2012 6:48 pm
Celeste (Rashida Jones) and Jesse (Andy Samberg) are a separated couple who continue to hang out like best friends in <em>Celeste and Jesse Forever</em>. Jones also co-wrote the film.
Credit David Lanzenberg / Sony Pictures Classics
The easiest way to put divorce onscreen is to slap a couple of clearly mismatched souls up there and proceed to show them bickering over money, property, the kids, the family dog. Celeste and Jesse Forever takes the harder and more honorable way, giving us two people who genuinely care for each other, who are perhaps perfect for each other in all the ways you can list on paper, and who still fall victim to some essential loneliness that seems to be hardwired into their union.
South African playwright, actor and director Athol Fugard describes the time Nelson Mandela was released from prison in 1990 as "a period of euphoria that was the most extraordinary experience of my life."
He says he was also convinced he would be the country's "first literary redundancy."
"My life had been defined by the apartheid years," he tells Michel Martin, host of NPR's Tell Me More. "Now we were going into an era of democracy ... and I believed that I didn't really have a function as a useful artist in that anymore."
Mid-20th-century mystery master Ross MacDonald is credited with moving hard-boiled crime off the mean streets of American cities and smack into the suburbs. In MacDonald's mythical California town of Santa Teresa, modeled on Santa Barbara, evil noses its way into gated communities, schools and shopping centers that have been built expressly to escape the dirt and danger of the city.
Writer Caitlin Moran believes most women who don't want to be called feminists don't really understand what feminism is. In her book How to Be a Woman, Moran poses these questions to women who are hesitant to identify as feminists:
What part of liberation for women is not for you? Is it the freedom to vote? The right not to be owned by the man that you marry? The campaign for equal pay? Vogue by Madonna? Jeans? Did all that stuff just get on your nerves?