It wouldn't do to call Insane City "a typical Dave Barry novel." What kind of thing is that to say about a book? The story begins with a bachelor dinner that goes off the rails, then brings in Russian mobsters, the fourth-place finisher in the Miss Hot Amateur Bod contest, a goodhearted escort and her "sales representative," if you please, an albino Burmese python — or is that a Burmese albino python?
Originally published on Fri January 25, 2013 2:32 pm
By Lydia Zuraw
Don't fear the haggis. Just think of it as a big, round sausage. That's what it is anyway.
Haggis is Scotland's national dish and every year on (or near) Jan. 25, it plays the starring role in Burns Suppers held around the world in celebration of the Scottish poet Robert Burns on his birthday.
Originally published on Fri January 25, 2013 3:26 pm
By Stephanie Zacharek
In the strictest terms, Jason Statham isn't the perfect candidate to play Parker, the single-minded career criminal created by the late Donald E. Westlake (working under the pseudonym Richard Stark). Statham, despite having built a career playing rough-and-tumble skull-busters, is just too much of a big pussycat.
As Westlake himself explained, Parker is angry: "Not hot angry — cold angry." Statham, with those inquisitive, cautious eyes and that slow-burning purr of a voice, can act cold, but he can never be cold. Even at his coolest, he's all heat.
Tell Me More remembers Ebony Magazine's former managing editor, Hans Massaquoi. He arrived in America as an outsider, after growing up black in Nazi Germany. Host Michel Martin speaks with his former colleague, Lynn Norment about his career and legacy.
The fact that President Obama's second inauguration took place on the same day as the Martin Luther King Jr. holiday felt right to many people, but some critics say the comparison is all wrong. Host Michel Martin and the Barbershop guys weigh in on that and other news.
Originally published on Tue January 29, 2013 1:22 pm
Back in the day – the 17th century – Vermeer, Rembrandt and the rest of the Dutch Golden Age crew blazed a trail for realism in art. Their work wasn't just technically dazzling; it was also distinctive. Instead of fat baby cherubs and saints, they painted the stuff of every day life. Often, that meant food.
In their hands, grapes popped with juiciness. Lobsters steamed, ready for cracking. Milk practically splashed the viewer as it poured from the jug.
We were all struck last week by Noel Murray's A.V. Club piece "The changing face of'nerds' (and autism) in popular culture," so we spent this week's first segment talking about the separate but related matters it raises of how popular culture deals with nerds and how it deals with autism, not to mention how it deals with the messy and imprecise crossover between the two.
In the decade since Israeli director Eytan Fox made Yossi & Jagger, the precursor to his sublimely tender new drama Yossi, Israel has undergone two significant changes. A tacit and active homophobia has given way, at least in the open cultural climate of Tel Aviv, to a matter-of-fact acceptance of gay rights. At the same time, Israeli cinema has bloomed, becoming a thriving international presence in just about every genre.