In a dark, dusty vault beneath a studio back lot, are there stacks and stacks of unproduced Cold War-era screenplays? A pile of untapped bad movie potential, like a hidden stockpile of enriched uranium, just waiting for a film crew that's looking to make a quick buck with a dirty bomb of a movie?
A Good Day to Die Hard, the fifth entry in the annals of hard-to-kill New York cop John McClane (Bruce Willis), is not that explosively bad movie. It's the decaying radioactive wreckage left behind after that bomb goes off.
Whitney Young spent most of his in the civil rights movement, but he focused on changing business as much as changing law. As head of the National Urban League, he had the ear of some of the nation's most powerful leaders. Host Michel Martin speaks with Young's niece, filmmaker Bonnie Boswell, who chronicles her uncle's story in the documentary, "The Power Broker."
I know plenty of people out there think Valentine's Day is an overly commercial faux holiday, and to some extent I can see why. After all, it is a day when people (especially men?) can feel forced to celebrate romance. Call me an overly sentimental romantic if you want to, but I still adore the idea and practice of a day devoted to romance and love.
By the time Wendy Plump learned from a friend that her husband had a longtime mistress and an 8-month-old son living just a mile away, their union was already pockmarked with the scars of adultery — both his and hers. She divulges all this and more in Vow, her at times jaw-droppingly frank but ultimately instructive post-mortem on their 18-year marriage.
This Valentine's Day, if you're feeling lonely, heartbroken, or just a bit jaundiced, we've got some archive treasures for you — tempestuous relationships, cartoon heartbreak, and a few books that may make you feel less alone — plus a bonus playlist from our good friends at NPR Music.
Hollywood's biggest night is in just a few weeks. People tend to focus on the glitz, the glamour and — of course — the gowns. But we thought we'd take a moment to focus on the gags.
Or rather what goes into writing both the jokes that fall flat and the jokes that soar. For a bit of Oscars Writing 101, NPR's All Things Considered turned to Dave Boone, who has written for the Academy Awards eight times.