NPR's Sam Sanders and Mandalit del Barco were backstage at the Oscars on Sunday, covering the awards show. They sat in the press room, where winners go for interviews during and after the show. Here's a roundup of what they saw that you didn't see, in senior superlative form.
Most Likely To Stand By Her Man Until The End Of All Natural Time: Jennifer Garner
The daily lowdown on books, publishing, and the occasional author behaving badly.
A group of prominent Canadian authors are stripping down for a (mostly) nude calendar. Proceeds from the Bare It For Books project will go to PEN Canada, an organization that promotes freedom of expression. The (actually kind of hunky) Life of Pi author Yann Martel will be Mr. December.
If you like Argo (which won Best Picture), the movie Chicago (which made a couple of appearances) and jokes about women (which just kept coming), you probably had a substantially better night than the average viewer, who was subjected to Seth MacFarlane's delivery of one of the worst hosting performances in Oscar history.
André Brink is one of the most well-known anti-apartheid writers in South Africa. His latest novel Philida, which was longlisted for the Man Booker Prize, is set in 1832 in the South African Cape, just two years before emancipation.
The title character lodges a complaint against her master, Francois Brink, who is also the father of her four children. He'd promised her freedom, but then backs out and marries a wealthy white woman.
What would you do if your literary idol came to life — came into your life — and then you couldn't get rid of her? Violet Epps, heroine of the new novel Farewell, Dorothy Parker discovers being a fan isn't the same as being a roommate when Dorothy Parker's spirit rematerializes from an ancient Algonquin Hotel guestbook — and then follows her home.
Author Ellen Meister tells NPR's Rachel Martin that she first encountered Parker's work as a teenager.
In Life of Pi, one of the nine Oscar nominees for Best Picture this year, a boy suffers a shipwreck and is lost at sea. It's a fictional story, of course, based on a novel, but director Ang Lee nevertheless wanted the movie to have depth and realism. But how do you add a realistic edge to someone drifting alone in the sea? For most people, even those in the imaginative business of movie-making, it's hard to picture the perils and isolation of months without rescue.
Originally published on Mon February 25, 2013 11:40 am
By Michael Dirda
Michael Dirda's latest book is On Conan Doyle.
When I was a boy growing up in the working-class steel town of Lorain, Ohio, I used to ride my beloved Roadmaster bicycle to the branch library. Located in the Plaza Shopping Center, this former storefront was just around the corner from the W.T. Grant's and Merit Shoes. Inside there were perhaps six small tables, a couple of reading chairs, the librarian's checkout desk, and light oak bookshelves along three walls. There can't have been more than one- or two-thousand books.