When Parker Posey was crowned "queen of the indies" in the mid-to-late '90s, the title referred to her Sundance-dominating ubiquity. But it could just as well have applied to the Parker Posey type — powerful and wonderfully imperious, with a habit of cutting her underlings down to size.
That's the Posey who turns up in Michael Walker's tense comedy Price Check, where she plays a relentless corporate climber who shakes up a sleepy regional office. She inspires. She terrorizes. Whatever it takes to get the job done.
By the time Father Lawrence Murphy died in 1998, it's alleged, he had sexually abused more than 200 children. Many of them must have seemed ideal victims: Students at St. John's School for the Deaf in Milwaukee between 1950 and 1974, they possessed limited ability to communicate with others. Commonly in that period, the boarding school's pupils had hearing parents who didn't know American Sign Language.
It seems that every time you turn around, you find another anniversary of some big cultural or historical event. I'm weary of the media's habit of playing all these things up, so I'm abashed to admit I'm about to do just that.
But you see, in the same three-day period I recently saw the new James Bond picture, Skyfall, and Crossfire Hurricane, a new HBO documentary about The Rolling Stones. And because the Bond movies and the Stones both turn 50 this year, I began thinking about how they might fit together.
Originally published on Fri November 30, 2012 7:55 pm
My first thought when I saw Jade Doskow's photo series was: "Wait, are we still doing world's fairs?"
I mean, I guess I kind of knew the answer, since they happen pretty much every year. But still, I never really think about it. And Doskow wasn't surprised; there's been a waning interest practically since World War I.
More than a dozen short-story collections since Canada's Alice Munro published her first book, and she now seems as much an institution as any living writer. We count on her for a particular variety of short story, the sort that gives us so much life within the bounds of a single tale that it nourishes us almost as much as a novel does.
Journalist Katherine Boo won this year's National Book Award for Behind The Beautiful Forevers: Life, Death And Hope In A Mumbai Undercity. She talks with host Michel Martin about the award, and the story behind her book.
The National Book Awards announced Wednesday night honored both longtime writers and new authors, from Louise Erdrich who won for her novel The Round House to Katherine Boo, who was honored for her debut nonfiction work, Behind the Beautiful Forevers.
Erdrich has been a highly regarded author for nearly 30 years. She'd been a finalist twice before but said being honored is "all the more meaningful when you're older ... because you don't know if your years of writing at your very best are behind you."
Think Mom's same old Thanksgiving mashed potatoes are boring? Jejune? Predictable?
Debbie Lee's are anything but. And they all started with a happy accident.
Lee is the owner and operator of the Los Angeles-based Korean-American restaurant Ahn Joo, and the author of Seoultown Kitchen: Korean Pub Grub To Share With Family And Friends. While Korean by heritage, Lee didn't grow up eating traditional Korean foods.
In 2009, Susannah Cahalan was a healthy 24-year-old reporter for the New York Post, when she began to experience numbness, paranoia, sensitivity to light and erratic behavior. Grasping for an answer, Cahalan asked herself as it was happening, "Am I just bad at my job — is that why? Is the pressure of it getting to me? Is it a new relationship?"
But Cahalan only got worse — she began to experience seizures, hallucinations, increasingly psychotic behavior and even catatonia. Her symptoms frightened family members and baffled a series of doctors.
Ian McEwan's Sweet Tooth is that oddest of literary achievements: an ingenious novel that I compulsively read, intellectually admired and increasingly hated. By the time I got to McEwan's last sneer of a plot twist, I felt that reading Sweet Tooth is the closest I ever want to come to the experience of watching a snuff film. Think that's harsh? Open up Sweet Tooth and find out what McEwan thinks of you, Dear Reader, particularly if you're a woman, as most readers of fiction are.