A Parisian Jew who dies in 1773 reappears in the 21st century as an angel, fluttering gently down to Earth — or, so he thinks. He imagines himself as "a fully formed Christian seraph, a Viking with blond hair, a beautiful chiseled torso, hairless feet, and eyes the color of whiskey." So imagine his shock when he realizes he's no angel — he's actually been reincarnated as a common housefly.
Jon Miller is a Hall of Fame broadcaster who did the play-by-play on ESPN Sunday Night Baseball for 20 years. He is a former radio and television announcer for the Baltimore Orioles and has been the voice of the San Francisco Giants since 1997.
Adaptations of fairy tales are everywhere you look. The TV show Once Upon a Time and the police procedural Grimm are in their second seasons. Hansel and his sister Gretel are at the cineplex hunting witches with machine guns. Jack, of beanstalk fame, starts slaying giants today. And those aren't the only bedtime stories that have been redesigned to keep 20-somethings up at night.
Originally published on Mon December 16, 2013 2:21 pm
We've all had that moment where you might see or hear something and you wonder: am I going crazy? In this hour, TED speakers share their experiences straddling that line between madness and sanity — and question if we're all in the gray area between the two.
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Johannes Vermeer's Girl With a Pearl Earring is easy to fall in love with — she's young, dewy, beautiful (Scarlett Johansson played her in the 2003 movie about the painting), and she looks right at you. But the 17th-century Dutch master's Woman in Blue Reading a Letter is different — her face is shadowed and she stands in profile, totally absorbed in her letter.
Our next book club adventure takes us on a journey that is familiar to people across generations: We will be taking a trip down the yellow brick road with The Wonderful Wizard of Oz, first published in 1900. It is one of the most beloved stories in popular American culture, but over the decades, the book has taken a back seat to the wildly successful Wizard of Oz film.
Great deeds start out as current events, move on to history, and eventually, with some craft and embellishment, become folklore and legend. This process is central to the structure of Bryan Singer's Jack the Giant Slayer, which merges elements of the familiar folktale of "Jack and the Beanstalk" with the less ubiquitous "Jack the Giant Killer." It sets the story as a kind of midpoint between one "true" story that has become a legend for Jack, just as the events of Jack's "true" story have supposedly passed into the realm of a simple folk story.