Last night on American Idol was Motown Night, when we all learned that Motown songs (like "I Heard It Through The Grapevine") should all be sung as seriously as possible, wearing a scowl, with all the fun sucked out. (And that was a performance that was pretty good.) It's in keeping with this season, in which melodramatic ballads have dominated even more than usual.
On a snowy night in 1910, a baby girl is born — and dies before she can take her first breath. She is born — and grows up to become an assassin who eliminates Hitler before he can take power. She is born — and lives a handful of different lives in a Britain descending into war; the book jumps from one narrative to another with a dreamy sort of logic. "Time isn't circular," she tells a therapist at one point. "It's like a ... palimpsest. ...
On a recent morning, just south of Washington, D.C.'s Dupont Circle, about a dozen people are lined up outside a restaurant waiting for its lunchtime opening.
Jon and Ralph Rosenbaum are at the front of the line and are the first to be greeted by DGS Delicatessen general manager Brian Zipin, who leads them down a white tile hallway and seats them at a small table against a brick-exposed wall.
With the Supreme Court hearing arguments this week on same-sex marriage, I'd like to point out a parallel evolution in what I see as a Hollywood mini-genre: films in which gay characters are either taken to court or seek redress in court for issues involving their sexuality.
Arguably the most famous question ever asked in a courtroom about a line of poetry — "What is the love that dare not speak its name?" — was originally put to playwright Oscar Wilde in 1894 by a British prosecutor. It was an attempt to trap Wilde into admitting to then-illegal homosexual conduct.
Jonathan Dee likes to write about rich, good-looking people falling apart — and who among the 99 percent of us can't enjoy that plot? In The Privileges, the dad of the family was a Wall Street trader, tempted by existential boredom into larceny; in A Thousand Pardons, the dad of the family is a partner in a New York law firm, tempted by existential boredom into a disastrous workplace affair.
On Monday evening on MSNBC, All In with Chris Hayes will premiere, making the 34-year-old the youngest prime-time anchor on any of the major cable news channels. For the past 18 months, he has hosted an early morning weekend show — Up with Chris Hayes — on MSNBC, but he's already a familiar face to MSNBC evening viewers: He has frequently filled in for Rachel Maddow and has been a popular guest on her show.
Originally published on Mon April 1, 2013 11:44 am
Ernie Button was putting a Scotch glass left out overnight into the dishwasher when he noticed something — a white, chalky film on the bottom of the glass. He held it up to the light and, upon closer inspection, could see a series of fine, lacy lines running along the inside of the glass.
As a hobbyist photographer whose work often focuses on showcasing the beauty of everyday objects, Button was intrigued by this discovery. "Wow, there's something to that," he recalls thinking.
Taiye Selasi brings the African immigrant experience to readers in her debut novel, Ghana Must Go.
The novel begins with the Sai children preparing to travel from the United States to Ghana for the funeral of the family patriarch, Kweku Sai. Before they leave, Selasi gives readers a glimpse into the events that unfolded while they were growing up in the Boston suburb of Brookline, Mass.