In a memorable (and much-parodied) 1983 television ad for a brand of instant, decaffeinated coffee, a gravel-voiced announcer asked: "What kind of people drink Sanka? People like Joe Zebrosky, underwater welder." The ad, one of a series featuring manly men in a variety of high-stakes professions, featured the aforementioned Zebrosky intoning: "Too much caffeine makes me tense. And down here, I can't afford that."
Beyond bratwurst, we generally don't think of German food as summertime food. In fact, many of us don't think about German food much at all. But one delicious German tradition is catching on this barbecue season — schwenker.
It seemed normal enough when President Obama chatted with a coffee shop patron about beer in Iowa Tuesday. The president has shown he's a fan of beer — and it's the most politically expedient, "everyman" beverage a candidate can drink. But then the president told a man at Knoxville, Iowa's Coffee Connection cafe that he travels with his own home-brew — and gave him a bottle to prove it.
The longing for children is fertile literary ground; from it, authors have brought forth everything from satire to tragedy. In his new novel, Breed, Chase Novak goes for black-comic body horror, liberally splashed with blood. Alex and Leslie Twisden are a rich couple desperate to fill their Upper East Side townhouse with children. After years of failed fertility treatments, they learn from Alex's friend Jim about a mysterious, miracle-working doctor.
Originally published on Fri December 6, 2013 3:15 pm
Credit Harriet Russell
This year, some of the biggest names in cartooning offered major releases in genres ranging from alternative science fiction to historical fiction to memoir. Through a masterful blending of words and images, these five titles reveal the vast storytelling possibilities of the graphic-novel medium. Each book is created by a singular writer/artist, and offers a wholly unique point of view in both narrative and illustration.
Few French writers can rival the success of Marie NDiaye, whose acclaim as a novelist and playwright is matched by her massive commercial success. At just 45, she has a quarter-century of best-selling books behind her, and in 2009 she became the first black woman to win the Prix Goncourt, France's top gong for literature, for the passionate and unsettling novel Three Strong Women.
Romance fiction is the Rodney Dangerfield of the publishing world: It don't get no respect.
This, despite the fact that romance is the most consistently profitable genre in an unsettlingly shaky business. Last year, romance alone contributed more than $1 billion to publishing's diminished coffers. And a growing amount of that income comes from romances written by ethnic writers for ethnic readers.